Friday, February 29, 2008

Jellwagger - Episode 7: Purple Reign

Soon into chapter six of Civilization and Its Discontents, the distinguished mapmaker of the human psyche writes: “Every analyst will admit that even today this view has not the sound of a long-discarded error. Nevertheless, alterations in it became essential, as our enquiries advanced from the repressed to the repressing forces, from the object-instincts to the ego. The decisive step forward was the introduction of the concept of narcissism—that is to say, the discovery that the ego itself is cathected with libido, that the ego, indeed, is the libido’s original home, and remains to some extent its headquarters.”

But of course, your best friend Jellwagger wasn’t reading this masterwork. Detective John McLane was reading it to him while the underslept Jellwagger’s fingers clackety-clacked on the keyboard in autopilot with the endless names, numbers, and addresses of various peeps Powell and Powler was connected to in even the remotest way. That particular part of chapter six reminded Jellwagger of that one part in Die Hard. ‘Member that one part? It’s when McLane and the head bad guy Hans Gruber are having their back-and-forth on the walkie-talkie? It’s the first time Hans talks to McLane after finding out who he really is. He’s like, “Attention, Mr. Cowboy. Or should I call you Mr. McLane? Mr. Officer John McLane of the New York Police Department?” And then, right? Never missing a beat, McLane’s like, “Sister Theresa called me Mr. McLane in the third grade. My friends call me John. And you’re neither, shithead.”

Yeah!

Fuck yeah!

That was easily hands down one of Jellwagger’s most favorite Die Hard moments. Hearing Siggy go on about the libido living in the ego and all that shit reminded him of that scene no matter how many times he played it. No, really. Only the Good Lord knew how many times Jellwagger rewound the CD and listened to that one part. He was trying to get ideas about what Bruce Willis’s next role, that of John Lane in Jellwagger’s action epic Exit the Danish, could say in that same kind of way. Similar to Die Hard, it would be the very first time the head of the invading Danes talked to John Lane after finding out that he’s just some lowly middle manager for Wal-Mart. So naturally he’ll make fun of our hero, first of all because, as the head bad guy, he’s sort of obligated to do that. And secondly, he’ll put John Lane down because putting down a middle manager is so easy and irresistible. But our boy doesn’t miss a beat. Nope, not this John Lane. Unfortunately, however, this Jellwagger was missing quite a few beats in trying to devise clever repartees. What was the deal? Seriously, whenever Sig really got going about the inner workings of the noodle in the voice of Bruce, Jellwagger would come up with all this awesome stuff that would eventually find its way into his epic script.

Not today, though. You know why? No, it wasn’t the lack of sleep. He could handle that. And no, it wasn’t Grant walking by and dropping that God damned Gaze on him every hour or so. Our Jellwagger was better than anyone at taking weird-ass coworkers in stride. No, what was sapping his concentration today was the one and only thing on this waterball called Earth that he still couldn’t handle. Actually, I should say it was the one and only person he still couldn’t handle. Her name was Josephine Jellwag.

As I’m sure you guessed instantly, no one really calls her Josephine. It’s Jo or she’ll kill you with eyeball laser beams. Another thing I’m sure you’ve guessed by now is that she’s our man’s older sister. Not that much older, though. Jo’s only thirty-three to Jellwagger’s thirty-one. When they were youngsters, that tiny gap was a massive deal. You know how it is, right? When you’re a youngster? Jo would be in junior high while Jellwagger was still getting his skinny ass kicked up and down the elementary school kickball court. And then Jo would be in high school while our boy was in junior high. And so on. It reached its absolute worst when Jo went on to college. She left Jersey for Florida, and left Jellwagger boiling with envy. Because you see, it wasn’t just that she’d gone up another academic step, it was that she’d moved away altogether. Sure, she eventually came back. In fact, ol’ Jo Jellwag eventually moved into a place just a few miles from their folks’ house. Jellwagger couldn’t have known that at the time, though, could he have? All he knew was that he was stuck in the armpit of North America, still getting his ass kicked, while his big sis was in the Sunshine State getting tanned, rested, and ready for real life.

And so before Jo even had the chance to commence and head back north, an indignant Jellwagger took his high school diploma, high-tailed it to the Left Coast, and never looked back. That’s how Jo came to be at Dad’s side when he dropped like a sack of bricks from a massive coronary. According to Jo, his last words—or rather, word—was, “Jellwagger!” Jellwagger’s never bought that story.

Bottom line? If you have siblings, even one sibling, or if you don’t but you know someone who does, then I’m sure by now you can tell that the dynamic between this particular Jellwagger and his sister was awkward to say the very least. That’s why he slept for shit last night and today hasn’t been able to concentrate to save his life, even with the voice of Bruce Willis to inspire him. Jo was coming over!

What’s worse, she didn’t even give a reason. She left a voicemail saying she was heading on out Van Nuys way and, well, I’ll see you soon! Gal didn’t even give a time for when her plane would be landing. She could be in L.A. right now. Where would she go? Did she know someone? You don’t understand. The reason this was so bizarre, besides the fact that it was, was that Jo had never…ever!...made the slightest overture of ever coming out here to visit Jellwagger. If Jellwagger ever wanted to see his family, he would have to take the initiative and donate a lung for the cross-country airfare. That’s what was sapping the shit out of his concentration: What was Jo doing here?!

The indignation he felt as he huffed his way to the subway station reminded him of exactly how he felt when Jo packed her behind in a suitcase and took off for Florida. The twenty-five-minute ride to North Hollywood usually went by in a blink on account of Jellwagger’s uncanny ability to bury himself in a book. Not on this dusk, though. If he couldn’t summon enough concentration to listen to Detective McLane, how do you expect our boy to concentrate on a book? The twenty-five minutes may as well have been twenty-five millennia. I’m not sure you could’ve made this Jellwagger more agitated if you’d tried. While wracking his noggin for reasons for Jo’s visit, he kept expecting either Carla and/or Pat Dinner to call him up and give him shit to do. That was the last thing he needed with family in town, to play bitch not only to a carrot-topped madam, but to her zillionaire ex as well. No, if he was going to survive this, he needed all the focus he could get.

Focus for what, though? What precisely was Jo trying to pull here? What was the big idea? What in Christ was the score? And when would he found out? When the subway pulled into North Hollywood, Jellwagger rushed up the million-story escalator and elbowed his way to Shitty Shitty Bang Bang, having convinced himself that Jo had left another voicemail letting him know she was here and that she was staying at such-and-such posh hotel. No doubt the hotel would be downtown. Good God, with Jellwagger’s luck, it would be the Standard, the same hotel where Pat Dinner and gang nearly killed him with vats of Lagavulin.

As it turned out, he wouldn’t have to get home to find out where Jo was. In fact, he wouldn’t even have to get to the car. As always, Jellwagger had parked his car well toward the far reaches of the parking lot as, no matter how early he got there, he was almost always one of the last. He was still several yards away when he spotted a little round head in his passenger seat. First he thought this car only looked like his piece of shit. But nah, as he looked around, not only did he realize his was the shittiest Mazda in town, but that the head belonged to the one and only woman who knew how to push each and every one of his buttons. He stood and stared for what seemed forever. He didn’t want to reach the car unless she knew he was coming. What the hell was she doing? Sleeping? Reading? No kidding, Jellwagger couldn’t tell for the life of him. Jo’s head was tilted down and remained still as a stone gargoyle. Didn’t she have any peripheral vision to save her life? Couldn’t she see that someone was watching her? And if she could, why didn’t she turn to see who it was? After about two minutes of being just as still as his sister, it occurred to Jellwagger that perhaps he wasn’t very visible amidst the oodles of other people walking back to their cars. This occurred to him when this one guy passed him and looked at our man like he’d just sprouted a second head or something. This guy’s car was right next to Shitty Shitty Bang Bang. He started it, pulled out, aimed it right at Jellwagger, and blared the shit out of his horn. Jellwagger jumped to the side and scowled at the weirdo. Just before driving away, the man rolled down his window and said with a phony smile: “Excuse me, sir. The parking lot exit is that way.” He pointed past Jellwagger. “I wouldn’t be able to get to it with you standing there. Right there. Right in the middle of the lane. Thank you, sir.” He kept his smile aimed at Jellwagger while rolling up his window. Maybe it wasn’t as God-awful a car as Shitty Shitty Bang Bang, but Jellwagger still wasn’t impressed.

Nor was he impressed with his sister. There she was, still looking down at something. Christ, what the hell! It was killing him! If he didn’t go confront her about her stillness, he’d’ve dropped dead right there, right in the middle of the lane.

He barely had enough time to get in and slam the door before Jo said, “As usual, kiddo, nothing has changed with you. Not a thing, right?” She was typing on a laptop and still wouldn’t look at him. He couldn’t help looking at her, though. Whereas the rest of his car didn’t have much color to it, Jo was all purple. That had always been her color, but Jellwagger still couldn’t get used to it. I mean shit, look at her. Could you get used to that? Even her frickin’ laptop was purple for the sake of Peter, not to speak of the clip in her hair, her coat, the shirt. All various shades of violet. Okay, the jeans may have been blue, but would you please do me a favor and explain the purple hem? Not to speak of the purple shoelaces. What the hell was she typing anyway? Jellwagger craned his neck.

Holy shit! Even the font was purple!

“Are we going home or what, Jellwagger?”

“Jo… I mean… Jesus, Jo!”

“Let’s go. This is weird. People are walking by and staring at us. I’m not comfortable. What if one of them wants my laptop?”

“You’ve got nothing to worry about, believe me. No one in their right mind would want a purple laptop with purple text for Christ’s sake. Jo, really, come on!”

“I suppose you’re right. The damage is done. While you stood out there like a moron, everyone and their cousin walked by and thought you were retarded. That much is obvious. But here’s what you may not have thought about. Once they figured you were a ‘tard, they looked in your car and thought two things. First they thought, ‘Wow, what an awful-looking piece-of-shit car. Who in their right mind would get behind the wheel of that insult to the automotive industry?’ And then they thought, ‘Who’s that weirdo woman sitting in the passenger seat of said shitty vehicle? Sister? Friend? Girlfriend? Does it really matter to Moses? She’s obviously associated with that skinny nutjob standing there looking awkward in his shirt and tie, looking as if his mom dressed him or something. And what kind of company would hire him to begin with? So if she’s associated with him at all, then she can only be weird by default.’” She closed her laptop and looked at him for the first time. Jellwagger frowned at her. Good God, were her eyes purple to boot? “No, Jellwagger, I don’t wear purple contacts. I used to, but Mom and Pop Pop put the kibosh on that. You’re thinking of course they did. It was tacky, right? Well, it was just a phase, right? We all have phases. But that’s all they are, phases. By definition they come to an end. Unfortunately, you reached your awkward phase only to discover that it was an awkward permanence. Would you stop staring at my God damned eyes?”

“I swear they’re purple.”

“Here.” She tried turning on the car’s roof light to no avail. “Naturally. Okay, let’s try this. Get out.” She slid her laptop under the seat and got out of the car. Jellwagger followed suit. They walked around to the back of the car and stared at each other. The setting sun’s light splashed across Jo’s pale face.

“Now your eyes look sort of orangish.”

“Let’s switch sides.” They did so.

“Oh now I see.”

“I know, right? I think the shine from my purple laptop left an imprint on your eyeball or something, so that everything looked purple after that, even your own skin.”

“I didn’t know you had green eyes, Josephine.”

“Whoa, whoa, hold it. First of all, never…ever!...call me Josephine if you value your life and that of your dog.”

“Leave Chump out of this.”

“Use that name on me again and I’ll strap you to your lounger and make you watch me kick the shit out of that Snoopy wannabe. Okay? And two. How in holy hell did you not know I had green eyes?”

“You just said, right? They used to be purple.”

“You never saw me with those contacts, genius. That phase came and went well after you moved away. I’ve always had green eyes.” Her tone suddenly softened. “’Member, Jellwagger? ‘Member how Daddy always told me they were so green. They really stand out ‘cause of my brunette hair.”

“Well. You’re lucky I could tell they were any color at all. That sun’s killing my eyes.” He wiped his eyes and got back in the car.

Jo got in and buckled her seatbelt and didn’t say anything during the drive home. When Jellwagger said, “I suppose at some point you’ll tell me what you’re doing here,” she didn’t answer.

It wasn’t until they pulled into his apartment building that Jo said, “There was no sun, silly.”

“Now what the hell?”

“It was already behind the trees.”

“You got any luggage or what?”

Jo giggled as she opened the trunk without having to wait for Jellwagger to press a button or anything. “That’s so weird! This thing could just fly open while you’re in the middle of the freeway. Here.” She gave him the smallest of her three bags while she took the two bulky suitcases on wheels as well as her purse and laptop case. Yes, you guessed it. All of Jo’s bags were purple.

Jellwagger was panting when they got to his door. Jo hadn’t broken a sweat. “Laugh and you die,” Jellwagger said while fumbling his keys.

“Where are we anyway?”

“Earth. Welcome.”

“You’ve got different keys for your doorknob and deadbolt?”

Chump E. Chips was going crazy behind the door. “Brace yourself,” he said.

She pecked him on the cheek. “Well hey. It’s good to see you even if you do want to kick my ass. Come on, right? It’s okay, right?”

When Jellwagger opened the door, Chump E. Chips wasted no time in jumping up and down Jo’s legs. “Hiya, girl!” Jo said, getting down on her haunches and rubbing Chump’s smooth little white head. “What a cute little girl you are! Get the bags, eh Jellwagger?”

“His name’s Chump. Notice it’s a he. Notice the male genitalia between his hind legs. Usually people take a hint from that. Out of the way, Jo! What the hell! If you want me to help with the bags…”

Jo parked herself on Jellwagger’s lounger with Chump E. Chips on her lap. “I just love your cute little head. What’s his name again?” Jellwagger was busy piling up all of her bags on the sleeper sofa. “Hey. Are you whining? Would you care for a cheese platter with your whine?”

“It’s Chump E. Chips. How many times on this waterball called Earth do I have to tell you?” He closed the door. Jo frowned when he locked the deadbolt.

“Expecting unexpected company or what, kiddo?”

“This isn’t small town Jersey, Jo. This is the real world. Okay? Got it? Now if you don’t mind, I need to take all of these bags off the sofa so I can unfold the bed and make it up and what have you. Okay? Are you saying I should’ve done that ahead of time? Not a bad point. And it’s so close to being a valid one too. Only thing is, you gave me no heads-up at all that you were coming. What are you doing here, Jo? What the hell!”

“What’s this cutie’s name?”

“If I have to tell you one more time, I’m gonna puke.”

Jo looked at the little name tag hanging from the neck. “Chump E. Chips.”

“Ha. You read it slower than a six-year-old.”

“Wow, such a normal name, Jellwagger. Are you sure we’re on Earth?” She sat back and laughed. “Hey, ‘member that one time?”

Jellwagger removed the cushions and unfolded the bed. “Be careful with Chump. In addition to noticing his gender, you’ll also notice that he’s a bit on the tiny side. And he scares easily. Well, not around me. But he’s kind of a chicken shit around strangers.”

“Oh man, kiddo. You’ve got to remember this. I was just reminded when you were going on and on about this mutt. How you’re so protective of him.”

“He’s pure!”

“See? Jesus! Look at you! What are you doing with the bed, Jellwagger?”

He disappeared into the hallway and came back sniffing the pile of linens in his arms. “It’s all musty. They really could’ve stood a run through the washer and dryer. But again, no warning. Nothing. I had no idea any of this was going to happen, so naturally nothing else in this apartment could’ve known. Not Chump. Not my sheets. Not my sleeper. Everything and everyone who lives here has been ambushed. I hope you’re happy.”

“It was that stuffed whatdoyoucallit. Not your blanket.”

“Did I stuff my blanket? I don’t remember.”

“No, no, no. Come on. You remember!”

“This’ll all go much faster if you help, Jo.”

“What kind of stuffed animal did you have, Jellwagger? Don’t pretend you don’t know what I’m talking about. You protected that little bastard like it was Fort Knox. ‘Member that one time Mom wanted to wash it? You threw the Queen Mother of all hissy fits. You practically invented that term. Hissy. Invented by my baby brother. By the way, brother, you got any beer? I’m parched.”

Jellwagger tripped over one of the sleeper legs in trying to reach the kitchen. Eventually he reached the fridge and got both of them a bottle of Spaten.

“Spaten?” Jo said after taking a sip.

“Just got a couple six-packs of the stuff yesterday,” Jellwagger said as he resumed making up the sleeper. “Brewed in Munich. Birthplace of the Oktoberfest. If you like beer, you’re gonna love this Teutonic potion, Jo.”

“What is with you?” she said after taking a couple more swigs. “Why are you acting like, well, like you’re having a hissy fit?”

Jellwagger was tucking in the top sheet. “It’s just that, you see, you’re probably the only woman in all of Los Angeles right now who’s drinking beer. The gals here, Jo? They don’t drink beer. And they don’t eat meat. So for instance, take this. When I order pizza for us in a few minutes, if I ask for the Meatalicious special, I’m sure you wouldn’t have any problem with that, right? Indeed, Joseph-, I mean Jo, you might even prefer I tell them to slop a ton of pork products all over that cheese and tomato masterpiece. Am I right or what? What the hell, Jo?”

“I still don’t get why you’re a clumsy bastard, kiddo.”

“You’re drinking beer right now, Jo! You know how long it’s been since I saw a gal swig the sudsy stuff? It may have been the last time I was in Jersey.”

“And pizza with just cheese on it? Or with green peppers or what have you? That’s what Mom orders. You know, right? It’s all about her weight these days. Even though she says she’s sworn off men. I know, right, Jellwagger? The woman’s sworn off men, yet she insists on trying to lose weight. Who is she trying to look good for then? The mailman? That guy, man. He’s like a hundred years old. Kiddo, I have to say, I’m afraid of what you’re getting me into.” She’d already thrown down half her Spaten. “What are you doing here? What is this?”

“It’s good German brew. It’s strong, it’s authentic. Just drink and enjoy, Jo. Don’t analyze it, okay? You’re on vacation. No analyzing. At least, I think you’re on vacation. Or is there some more diabolical reason behind your cameo?”

“Jellwagger, Jesus Christ! What was that stuffed bastard you had as a child that you always guarded like it was Fort fucking Knox? ‘Member that one time?”

“No.” He was fitting the pillow cases.

“You scratched me so bad, you left me a scar. See?” She held out her left hand. “Oh wait, is it the other one?”

“I don’t remember.”

“What the hell are you doing with those sheets and whatnot? I hope you don’t think I’m gonna sleep on that thing.”

“You prefer my gorgeous shit-brown shag carpet? Fine, I don’t care. I’ll be out for the count.” He pointed toward his bedroom. “Right there. Snoring my skinny ass off.” He pointed again. “Right there.”

“Kiddo, relax. What I’m saying is, I’ve got my own sheets. And my own pillow cases. Everything I need, I’ve already got. So please, for the love of all that’s musty, please remove those green sheets. Fold ‘em up, put ‘em back in the closet, run ‘em through the wash, I don’t care. Chump E. Chips doesn’t care either. Just take them away and let me make up my bed with my own sheets.”

“Let me guess. Purple sheets?”

“You’re a regular Isaac Newton. Lookit, I’m sure as shit not gonna upset Chump. He may be small, but I’ll bet our house in Jersey that he’ll eat my head off if I try to get up. So listen, kiddo. Order that pizza, stat. Okay? And then make my bed for me. The sheets are in the big suitcase. And when you’ve got a second, could you please try to remember the name of that stuffed bastard you had as a kid that I almost lost a hand over?” She polished off her Spaten. “God damn it, yes! Barkeep! Another!”

Jellwagger ripped the green sheets, which admittedly he only used for the sleeper when he had overnight company, which admittedly had been never, off the bed. He was about to chuck them, unfolded, back into the linen closet when the musty smell smacked him in the nose particularly hard, like a smelly lick from Chump right across the face, but millions of times worse. So he marched into his room and threw them into the hamper. He couldn’t remember another time in his life when he needed a second beer so badly. Our favorite Jellwagger would be God damned if he’d let his sister, of all God-forsaken people, out-guzzle him. He didn’t have the discipline to wait until after trying to find her purple sheets, so he fetched them both another Spaten and kicked himself in the ass for not having gotten a third six-pack. Shit, at this rate? They’d be fresh out in an hour. Couldn’t that woman pace herself?

He made up the bed in her purple sheets, which looked so hideous in the light of his living room lamp he had to fold up the bed and slide it back into the sofa or he’d puke. Then he ordered a couple of the Meatalicious pizzas. The two of them killed time watching reruns of old sitcoms from twenty years ago, sitcoms which had been current when they were teenagers living under the same roof. Jellwagger got the weirdest feeling watching this stuff, and naturally his sister’s presence had something to do with it. The weird thing was, while he was watching these old-ass shows, he had the distinct feeling that absolutely no time had passed since he’d been in high school. Actually, when this one sitcom that was on right now had been current, Jellwagger was in junior high. You see how it always worked? Jo’d been in high school, a sophomore or whatever. She’d been just high enough to be in a separate school from our boy here. Naturally he felt like shit for being left below. It was bad enough that she had to remind him constantly just by the way she looked at him that he would never reach her level. No, really. All she had to do was look at him a certain way. You know the way I mean. So that’s how old this sitcom was. It’d been twenty or so years since Jellwagger had seen it last, but it may as well have been last week. How long did it seem like for her? “’Member when we used to watch this constantly?” he said between his second and third slice. She was busy munching on who knew which slice. And how many Spatens had she had? He asked her.

“It’s only my third or whatever,” she said. “It’s the last for me. God, I feel like a blimp.”

“Stop being such a girl. Be a man, Jo! Beer and pizza make up the divine dish. This is the meal you’re going to have for all eternity when you go to Heaven. If you go. If not, then it’s beets or what have you.”

“I remember you not liking this show.”

“Are you kidding? It’s a classic. It was like a ritual when we all watched it. All of us. You, me, Mom, Dad. Even Pop Pop when he came over. We would all gather on Wednesday nights and watch all that great stuff. Wednesday used to be like the night of all the best shows all lined up, back to back to back from eight to ten.”

“Eleven. You were the only one not allowed to watch that cop show that came on at ten. Man, kiddo, it’s driving me nuts. What? The hell? Was that animal you were so protective of? Come on!”

Jellwagger was too tired to care about whatever it was she was trying to remember. It wasn’t actually that he was tired. This particular Jellwagger was restless. He had stuff to do, a screenplay to write. John Lane needed him. The Inuit needed John Lane. The Inuit needed Jellwagger. He gave a ton of serious consideration to getting up right now and holing himself up in his study and leaving Jo out here to reminisce all by her lonesome. But as he set to his fifth or sixth slice, he just didn’t have the energy. He felt like a turtle that had been knocked over onto its back and couldn’t do anything but wiggle its little stubby legs. Wow, but it was so uncanny how he was now twenty years older and three thousand miles away from the time and place when he’d last seen this God damned sitcom, and no time had passed at all. He was still a twelve-year-old skinny bastard with enough acne to be Earth’s second moon, living in New Jersey with not an inkling of what Los Angeles meant beyond what he saw in the movies. The more he thought about it, the more depressing these sitcom repeats became. Why in Christ was he watching them? He reached for his eleventh or twelfth slice and grabbed the remote while he was at it. He started flipping channels not only to find something to cheer him up, but to see if he could press his sister’s buttons as well. Jo’s flying out here on the spur had pressed one massive Jellwagger button, so it was a moral imperative that he find a way to reciprocate in kind. Let’s see how invested Jo was in reliving those old Jersey days?

Apparently not much at all. No sooner did Jellwagger land on one of those innumerable police procedurals than Jo polished off her last slice and took the last sip of her Spaten and wiped her hands. “Okay, Chump E. Chips. You awake? Auntie Jo’s gotta take a bath now. You catch that, Jellwagger? He didn’t understand a lick of what I said, but I hope you did. I noticed that the guest bathroom has a tub. I’m going to utilize it appropriately.”

After she disappeared, Jellwagger saw a golden opportunity to further the adventures of John Lane. The opportunity was short lived. The poor boy had only been tap-tapping away on Exit the Danish for about twenty seconds before he heard his sister’s hysterical screaming from the bathroom.

“Oh my God! Jellwagger! I remember! Get that skinny Jersey-bred ass in here, stat! I finally remember!”

Jellwagger burst into the guest bathroom only to be bodyslammed by the most horrific smell he’d ever had the terrible luck to run into during his all-too-short life. He couldn’t place it. It wasn’t rotten fish or anything obvious like that. Nah, this must’ve been something from Jo’s cosmetics bag, something she obviously thought was God’s greatest gift to the human nostrils. Once he recovered enough to open his eyes, he was confronted by what would go down as the most hideous sight his God-forsaken eyes had ever beheld.

The bath was purple.

I shit you not. Jo was submerged up to her God damned smug ears in a purple bubble bath. What’s worse, she greeted our hero with the widest and brightest shit-eating grin this side of the Pecos. Jellwagger was about to hurl, but really, Jo’d already humiliated him enough for one night, hadn’t she? Losing his Meatalicious in front of her sure as shit wouldn’t’ve helped matters. He’d actually gotten as far as lifting the toilet seat and lowering his head before he willed himself back onto his wobbly legs with the determination to save face.

“I’ve got it, you sissy bastard! It was Leggy!”

“Jo, please. Please. What the hell? Why are you here? Just tell me. I’m not in the mood for games. And I’m sure as shit not in the mood for any more of this God damned purple.”

“It was a giraffe! That’s what you protected like the royal guards protecting the queen’s jewels. Son of a bitch, Jellwagger, you gave me a scar because of that fucker. See?” She held out her hand.

“I can’t see shit for all the purple soap. No, Jo, really. I’m working on what will be one of the greatest screenplays ever written. I shit you not. Have I told you about it? Exit the Danish? You like Bruce Willis, right? Our fellow Jersey hero?”

“Listen to me. Motherfucker. When you were tiny, Pop Pop got you this stuffed giraffe. It had a small little body, but those fucking legs! They dangled! They got in the way of everything when you carried it around. And kiddo, did you carry it everywhere or what!”

Jellwagger stood straighter and forgot all about his nausea and the headache induced by the purple. “Oh my God. Jo. Oh. Oh my God. Leggy. Little Leggy.”

“You bastard! We couldn’t get you to pronounce the word giraffe to save your hilarious little life. But we all complained about the disproportionate length of those infernal legs. You must’ve heard everyone and their cousin complain about those legs a million and a half times. So finally you started calling him Leggy.” She laughed so hard her head submerged under the bubbles before she came back up and spit out the water. “You’d carry that thing wherever you went. And when we all went out somewhere? Like to the mall or the movies or what have you? You’d take Leggy or you wouldn’t even consider going. Of course we had to relent. You were far too tiny and small to leave on your own. And that, kiddo, his how you fucked up my hand beyond all repair. It was like, I dunno, you were four or five or something. Maybe five, ‘cause I think you were in kindergarten. Plus, you were finally of that age when you could speak plain English and, ya know, converse with the adults in the family, which was everyone else besides you.”

“Oh come on, Josie! If I was five, you were seven. Hardly a God damned adult.”

“My intellect was, and still is, light years ahead of my age. I tell ya. Anyway, if you let me finish. So Dad got this hair-brained idea that, ya know, since you could speak plain English ‘n all like the rest of us, then, well, you should be able to show up at the dinner table and eat your dinner without a stuffed animal in tow. So he told me to get you, which I normally had to do anyway. You always seemed to be living on another planet. Why is that, Jellwagger? Why did you always have to be the one who never knew it was dinner time? Anyway, so I go up to your room to get you. I tell you it’s dinner. You’re all happy and everything. You always were when food was being served. Happy as all hell. So anyway, I show up at your room and insist you come to dinner without Leggy. Naturally you refuse. Then I made the positively horrific mistake of trying to take Leggy away from you. And you know what you did? Obviously you don’t, judging by that baffled expression on your face. Jellwagger, you fucked up my hand! I may have only been seven, but I can still feel those nails digging into my skin. The soft part right here. That pulpy chunk of skin between my thumb and index.” She wiped the purple soap off her hand and held it out. “You see, you malicious little bastard?”

“Where is he?”

“’The fuck are you talking about, Jellwagger?”

“Leggy!”

A deafening cackle came from right behind Jellwagger. Our man fell to the tiles for two reasons. First, the cackle had been so deafening. The man to whom it belonged couldn’t have been more than a centimeter or two behind him. The second reason was because Jellwagger knew exactly to whom it belonged.

What in all that was holy and purple was Pat Dinner doing in Jellwagger’s guest bathroom, in his crisp charcoal suit with silver tie?

“What’s going on, my man? Drunk off your skull as usual, I see. Now that’s an interesting smell.”

“It’s lavender,” Jo said. “You like?”

Jellwagger could barely catch his breath. Seriously, was Pat really standing there? He’d ingested enough lavender fumes that hallucination wasn’t that far off a possibility. Pat got down on his haunches and reached out his hand.

“You going to live, slugger?”

Jellwagger took the hand and soon enough found himself on his feet staring at the wealthiest weirdo in the Granola State.

“So this is how it worked, my man. I called your sister here as a reference. If you were going to work for me, then I had to check with those who knew you. As much as I’m sure she’s a bright woman, Betsy Seth just wasn’t enough. Nor was Grant Prossich. By the way, what’s the deal with Mr. Prossich? Now there is one interesting fellow. He kept going on about these sculptures he was doing that looked like the office windows. You know what he was talking about? Anyway, then it occurred to me.” He opened his arms as if the light bulb in his noodle had just flickered on. His extra chin shook with the motion. “The man must have family back east. So I better check with them. Jo here was generous enough to come out. So long as I paid for it, of course. And, well, here we are. Now if you don’t mind, my man, she and I need to have a chat.”

“About me?” Jellwagger said.

“Well. I mean. Yeah.”

“Get out of here, baby brother. If you want to work for Pat, then make yourself scarce. Go screw that copper-headed madam or something.”

“You told her about that?” Jellwagger said to Pat.

“Jo here, the smart cookie that she is, was sincerely confused as to why she’d need to make an in-person appearance to vouch for her baby brother. Be flattered, my man. She was complimenting you. And the truth is, I probably didn’t need her to come here. You have to understand, though. I work in a business where you can’t be too careful. You take risks, yes. It’s impossible to get ahead without taking risks. But if you can control the risk, then you do it. And so I did. That’s why our gal here is taking a bath in lavender. Good God, the smell!”

“Jellwagger, didn’t you hear me?” Jo was saying. “Make yourself scarce. Aren’t you trying to write something or whatever?”

“I’m not trying to write anything, Jo. I am writing the next vehicle for Bruce Willis. It’s called Exit the Danish. There, pronounce that if it isn’t too complicated for ya. Tell her, Pat.”

Pat put his hand on Jellwagger’s shoulder and escorted him out of the guest bath. “Listen, my man. I really do want to get the lowdown on you from your sister. I know I would appreciate it. And I know you’d appreciate it the sooner I can get this done. All right? Are you really working on a script? I happen to know some producers. Maybe I could show it to them.”

“It’s not finished yet.”

“But you can work toward finishing it back there, right? That’s my man.”

They must’ve been kidding themselves. Jellwagger didn’t have a snowball’s chance in a nuclear reactor of getting a single line of his screenplay done. Jo made Pat wait out in the living room and told him to finish off the pizza because she couldn’t stand the sight of cold pizza in the morning. Then she joined him out there. On her way into the living room, Jo closed the hallway door, effectively sealing Jellwagger in the back half of his own apartment. Finally he cursed at his computer, turned it off, changed into his PJs, and hit the sack.

He didn’t sleep a wink that night. Partly this was because he couldn’t help but wonder what his sister would be saying about him. The other reason—minor point—was that Pat Dinner was fucking Jo’s brains out all night. Even with both the hallway door as well as his bedroom door closed, Jellwagger could hear his sister screaming her orgasms as if she were just three inches away.

Finally, around four o’clock or so in the morning, he drifted off to sleep.

Seemingly a second later, his eyes snapped open at the sound of Pat’s howling cackle. That was followed by Jo saying something like, “No, I’m serious. I’ve never seen one that incredibly white before. Mind you, I’ve met my share of pale dudes in Jersey.” Pat said something to that, but Jellwagger couldn’t hear.

It was approaching five when he nodded off again.

Half a second later, someone smacked their knuckles against his door. “It’s almost six o’clock, my man. Aren’t you supposed to be getting up right about now?”

“When I get home tonight, all I want to do is throw down some brews, microwave some ‘corn, and watch one of Bruce’s flicks. Have any recommendations?”

“You’ve lost me as usual, my man.”

The Fifth Element. Excellent choice.”

“Of course that assumes you’ll be done by tonight.”

“Done what?”

“Get up, sleepy Jellwagger!” Jo shouted from somewhere in outer space.

“Done what I need you to do for me. Congrats, my man. Your sister has been a glowing reference on your behalf.”

To be continued...

Thursday, February 28, 2008

48 Broad: An Introduction

This will be the first and last post on this blog about the Roggebusch family who reside at the three-story Queen Anne at 48 Broad Street, Mount Holly, New Jersey. At first I thought I'd relate the trials and tribulations of this family on this blog, but really, Jellwagger's taking up too much space as it is. And the more I thought about it, the more I realized that the family inhabiting 48 Broad is far too big and whacky to share a blog with Mike Jellwag or anyone else. Even having me here might be too much. Even though they wouldn't exist without me, I'm sure I make them feel crowded.

Indeed, it's not just the Roggebusches who live on the southwest corner of Broad and Buttonwood. Well, what I mean is, it's one family. There is a father, a mother, and a bunch of kids. Seven kids, to be exact, all boys. But you see, this is the third marriage for patriarch Frank Roggebusch, and it's the second for his wife Faith. And don't you know they've each got kids from their respective prior marriages, plus a couple of adopted ones.

Two of the boys are from Frank's first marriage. Then you've got the one and only boy from his second marriage. He's the youngest of the seven and will be the main focus of the 48 Broad tales. More on him later. So those three kids are Roggebusches, but what about the other four? Well, two of them are Faith's kids from her first marriage, to a guy named Ford Peterson.

The last two boys are where it gets kind of messy. They're the offspring of neither Frank nor Faith. Their mother is Frank's second wife, Joan, and their dad is Joan's first husband, Marcus Woods (Frank was Joan's second husband). Unfortunately, Joan barely has the means to support herself, let alone any kids. And Marcus disowned them soon after he and Joan got divorced. Part of the agreement of Frank and Joan's divorce was that Frank would continue taking care of them.

But wait. I've forgotten to mention two more inhabitants of 48 Broad. The first is the dog Gorbachev, or Gorbie, as most people call him. Gorbie is a Lhasa apso, black except for a white stripe along his tummy. From a distance he looks like a skunk.

And finally(!) there's the child prodigy violin player named Bunny Stringfellow. She's a bit different from the rest of the brood. First of all, she's dead. The poor little thing died about a hundred years ago, when 48 Broad was a music school. And most people can't see her. Gorbie can sure see her, even smell her, and it drives the little furball nuts that he can't tell everyone about her. Only one of the seven boys can see her, the youngest one I mentioned above who's the main focus of all this.

His name is Bawrence Barney Roggebusch, and he's nine years old. No one calls him Bawrence except his father Frank. Most just call him Barry. Like most of the Roggebusches, Barry was born in Washington, D.C. His parents, Frank and Joanne, divorced when he was six and a half. Joanne Barney Roggebusch changed her name to Joan Purvis and relocated to Chapel Hill, North Carolina to start afresh. She still talks to her boys on the phone every week and visits with them a couple times a year. Her story, however, is for another time. For most of the 48 Broad tales, she won't be present at all except as a voice on the other end of the line for Barry.

While she went south, Frank moved north to be closer to his job as a professor at Temple University in Philadelphia. Instead of the Pennyslvania side of the Delaware river, he settled on the New Jersey side because he heard the school system was better. With a population of about 10,000, Mount Holly's been around since 1688, is the seat of Burlington County, and is located about twenty miles east of Philadelphia. So it's a fairly painless commute for Frank. Besides, he only teaches on Tuesdays and Thursdays anyway.

Barry is in a sort of unique position in that he's got all of these siblings, and yet he's an only child. When he was born, he had two half-siblings on his father's side, and three on his mom's side. His mom had three kids with Marcus Woods, the two boys who live at 48 Broad as well as a girl named Peggy. She still lives with her father. Of all these kids, Peggy is the oldest at twenty.

My new blog devoted to 48 Broad will be called 48 Blog. Some posts will be about a particular resident there, or about a particular characteristic of the house. Other posts will be short stories. Ultimately it will form a collection of linked short stories entitled, obviously, 48 Broad. Do you know what I mean when I say linked short stories? When you read a short story collection, right? Each story is typically its own self-contained story, with its own plot, setting, and characters. 48 Broad will be one of those story collections wherein each story might have a stand-alone plot, but they will all have in common the same characters and, naturally, the same setting. Some characters who are featured prominently in some stories may be only peripheral in other stories. As I've said, though, ultimately this will be the story of Barry.

The stories will take place in the spring of 1986. Barry is nine years old and is approaching the end of of fourth grade. His favorite song is "Take On Me" by the Norwegian rock group A-Ha. Whenever he hears it, he thinks of a cute blonde in his class named Misty. Among his favorite films are A View to a Kill, House, Goonies, and Amadeus. Indeed, Barry is quickly becoming a movie nut. If he sees a movie he likes, he'll watch it ad nauseum until he can practically quote every line in his sleep. One of his brothers nicknames him MPAA (Motion Picture Association of America). He is particularly fond of horror films. Since his father takes a mostly hands-off approach to parenting, Barry can catch the odd Friday the 13th or A Nightmare on Elm Street whenever it fits his fancy.

To enter the world of 48 Broad: http://fortyeightblog.blogspot.com/.

Wednesday, February 27, 2008

At the Movies with Governor Tom: George Washington

Last night at the Egyptian I caught a screening for this little gem from 2000 that I'd heard about but never got around to seeing (isn't that always the case?). Entitled George Washington, it was the feature directing debut for a chap called Green, David Gordon Green. Dave's got a new movie coming out soon entitled Snow Angels, his fourth film. So in his honor, as well as part of their No Budget film series, the Egyptian decided to do a little retrospective of his career. Tonight they'll be showing his second and third films (All the Real Girls and Undertow), and then tomorrow the Egyptian's hosting the big premiere for Snow Angels. Ah, it must be nice, ya know? To be only 32 and not only have four films already on your resume but also to have a theater as old and prestigious as Sid Grauman's Egyptian doing a series in your honor. Poor guy. To boot, he's already wrapped his fifth film. Coming out this August, it's called Pineapple Express and will feature those cats from Knocked Up and Superbad and whatnot. You know, the Judd Apatow crew. They showed the trailer last night just before they started the Q&A. Two words: Fucking. Hilarious.

Let's talk about the film first before getting to all the interesting stuff I learned during the Q&A. Actually I shouldn't say too much about it. About 85 minutes or so long, the whole story sort of hinges on this one thing that happens about a half-hour into it. It's something you probably won't see coming because it totally comes out of nowhere. So naturally, if I spill it here, you won't have much reason to see it.

It's set in this small unnamed North Carolina town with all these interesting people, both black and white. Actually, most of the kids we get to know are black, and most of the adult characters are white. The main character is this black tween named George. He's a bit on the laconic side, and it's unclear if that's because he's just slow in the head or if he just doesn't have much to say. Sometimes he does seem slow, but then other times you'll see wisdom there that belies his years. The most interesting thing about George is that he's got the head of a sponge. Literally. I mean, it looks like your normal average head, but it's got the sensitivity of a sponge. What does that mean? For starters, he's not allowed to swim. And secondly, he needs to make sure he doesn't bump his head, even lightly, against anything. If he does either of those things, it irritates his brain. So in other words, whenever he's out playing with his pals, he needs to take caution. If the little dude isn't careful, it could be the end of him. To help minimize the risk, he never leaves home without one of those old-fashioned leather football helmets strapped to his noggin.

George mainly hangs out with these three other kids. You've got this little bespectacled boy named Buddy. Then there's Vernon, the big guy, who's the most sensible and practical of the bunch. And finally there's this little blonde named Sonya. She's tough to figure out, partly because she almost never says anything. She's even more mute than George. Also, she never betrays much emotion. By the end of the flick it's like, okay, I think the gist of Sonya's deal is that she brings bad luck wherever she goes. I know that sounds cryptic, but you'll understand when you see it.

In addition to kicking off Dave's career, George Washington was also the springboard for a couple of actors. First you've got Paul Schneider, who played Rico. A native of Asheville, North Carolina who went to college with Dave, Paul has gone on to star in stuff like Lars and the Real Girl and The Assassination of Jesse James by the Coward Robert Ford. Then there's Eddie Rouse, who plays George's Uncle Damascus. In addition to doing more of Dave's stuff like All the Real Girls and Undertow and this summer's Pineapple Express, he scored roles in The Number 23 and American Gangster.

That's really all I should say about the film itself. It's a bit artsy in that there's less emphasis on plot and more emphasis on characters and beautiful imagery. It's not even an hour and a half, so if you don't like it, at least you won't have wasted too much of your time. I think it's worth seeing at least once. Whatever your opinion, it'll leave you pondering its meaning afterward. I'm still pondering the ending myself.

In addition to David Gordon Green, the Q&A featured his producer Lisa Muskat, Damian Jewan Lee (Vernon), and Eddie Rouse (Uncle Damascus). The moderator was Peter Broderick, President of Paradigm Consulting, a film advertising company.

Dave's an interesting cat. Born in Little Rock, he'd barely learned to walk when the family relocated to the Dallas suburb of Richardson. After high school, he moved back east and attended the North Carolina School of the Arts in Winston-Salem. In fact, he was there for the same four years I was in college, 1994-98. And I majored in film too! But now look. He's a successful director and I'm a grunt at Yahoo!. Let me move on before I get too depressed.

So North Carolina, right? Dave made a lot of friends there, both on the film crew side as well as the acting side, such as Paul Schneider. One of the shorts he made as a student was called Pleasant Grove. That served as the basis for George Washington.

Literally the day after graduating in May of '98, Dave paid a visit to L.A. to sort of scope things out. He didn't like what he found, felt a little intimidated and all that, but eventually moved out that September. From then until the spring of '99, Dave worked just about every manner of oddjob that's possible, all in an effort to save up enough cash to make a feature film version of Pleasant Grove. No, you don't understand. Dude really did take just about every gig he could. One of them was working as a concierge at the Hollywood Park Casino. Another included graveyard shift security guard at the Getty Center. The big advantage of both of those jobs was the flexible hours. The gravy with the Getty gig was that the place would be completely deserted at night, which afforded him ample time to work on the screenplay for what would eventually become George Washington. Oh, and to earn some more coinage, he showed up at a diaper company every week to let them tape diapers to his back to see if they'd leave a rash. He said he averaged about one or two rashes a week. Never one to let himself get bored, Dave also donated sperm.

By the spring of '99 the man had pocketed something like $40,000. So he went back to Winston-Salem, hooked up with all his old pals, and convinced them to help him make his first feature film for next to nothing. Most of his money went to film stock. Yeah, he shot it on film. If you've ever been involved with making a picture, even a short one, in black and white, film stock can suck your wallet dry before you can say Rosebud. This was feature length and in color. The production cost something like $42,000, but then he needed a few more thousand for post production. For that he relied on the generosity of family and friends.

It took 19 days to shoot, during which time all the cast and crew lived together in some big old house in one of those small towns near Winston-Salem. According to Dave, the parents of the child actors just dropped their kids off and said, "See ya in three weeks!" Gotta love the laid back South. Just to make sure everything stayed kosher, though, Dave's sister, an elemantary school teacher, lived with them.

When talking about the loose structure of the film, Dave said the main reason for that was he didn't have a script. I mean yeah, there was a script, which expanded on his student film, but for the most part he didn't follow it. For one thing, he didn't follow the dialogue at all. A lot of the characters are black, so rather than pretend that he knows how to write for black characters, he had his black actors make up their dialogue on the spot. While he was at it, he told the white actors to go with their own dialogue as well. The film doesn't have the traditional three-act structure. As I said above, you've got about a half-hour of getting to know the people, then that pivotal event happens, and then the remaining 50 minutes or so see the characters trying to implement a cover-up. If you don't watch this with an open mind and are not ready for a film that challenges you a bit, then you might get impatient before the pivotal event happens. But hang in there, this flick will grow on you.

Take that little montage right after the pivotal event. It's basically a sequence of tractors in a landfill somewhere. We don't even know where, just exactly, or how it's supposed to relate to the rest of the film. Dave said his idea was to let his audience take a break after that pivotal event. He told his cinematographers (yes, he had more than one) to go out and just shoot whatever interesting stuff they could. Then during editing, he chose whatever he liked and stuck it in there. As he said, that tractor sequence lets the audience digest everything they've just seen so they can be ready for the rest of the picture. I dunno, I know it's unconventional and all that. But you've gotta understand that Dave's attitude is that laid back Southern attitude. I don't have a problem with it. It's charming even. Maybe I think that because I lived in North Carolina for a spell and still go there every Christmas. I dunno.

For his part, Damian Jewan Lee said that he never needed the script at all. Ever. His character Vernon was one of the bigger parts in the film. If he wasn't in as many scenes as George, it wasn't by much. So the fact that he never, not once, needed to use the script tells you how loosey goose Dave was with his own writing. As Damian said, Dave would show up ready to shoot the scene, take Damian's copy of the script, and toss it off the roof, out the window, away from wherever they happened to be at that time.

It wasn't always like that, though. Eddie Rouse talked about this one scene he did where he talks to George about his dog. It's a pretty potent scene. Dave said they shot it in the basement of his head cinematographer, Tim Orr. During the making of the film, Eddie'd been going through some personal issues. Neither Dave nor Eddie expanded on what those issues were, but suffice it to say that Eddie wanted to shoot all of his scenes as soon as possible so he could get back to solving whatever his crises were at that time. To prepare for the scene, he'd had to ask Dave and the crew to leave him alone for a bit. Dave said he and everyone else went to listen to music while Eddie prepared for the scene by himself. Eddie made it a point during the Q&A to tell us that he didn't make up any of that speech, that it was verbatim from the script, and that in reality he has no problems with dogs.

Later on, when someone asked Dave which scene had been the most emotionally difficult to shoot, he cited this one. He said that the dog monologue scene was the first time he felt like a director because it required him to help Eddie's character reach this emotional place.

It was kind of funny actually. After the film but before the Q&A, they did this prize raffle where they asked trivia questions about the film. Whoever answered correctly would get some random prize. One of the prizes was a date with Eddie Rouse. So when they asked the question, the person who answered was a guy. Since Eddie's not gay, they asked another question and insisted only the women in the audience answer. And one of them did, this cute blonde down toward the front row. Then during the Q&A, while insisting he had no dog issues, Eddie also insisted that he doesn't "date dudes."

When producer Lisa Muskat was on the spot, she talked about how she used to teach film history at NC Arts. She's gone on to produce all of David's stuff except for Pineapple Express, which was produced by Judd Apatow. While watching the film last night, she said it was thrilling to look back and have all those memories. She's come so far since then, having produced a bunch of other stuff in addition to Dave's work. The same can be said for the film's head cinematographer, Tim Orr. He's photographed other films Dave has made in addition to a bunch of other stuff. When someone asked Lisa if there were any obstacles to getting this film off the ground, the only thing she complained about was the heat. That, of course, is a given in the Carolinas. The summers there are notoriously humid.

Look at all those rich people. In addition to a couple of his actors, Dave helped launch the careers of his producer and his cinematographer. Not to speak of himself. That was the point, he said. The key to getting George Washington made was to attract talented people who would be willing to "get sweaty" and work for pennies on a film that could be a credential on their resume and lead to gigs that actually yield an income.

Someone asked Dave if he was trying to say something by having his main characters be black kids while he himself was a white adult. Dave swears he wasn't. As a youngster in the Dallas 'burbs, Dave said that he went to elementary school in inner city Dallas where whites and blacks got along just fine. At that time, it never occurred to him that getting along with peeps of another color should have been an issue. He had friends who were white, friends who were black, and he didn't think about it. When it was time for junior high, he had to stay in Richardson. That's when he first became aware of racial politics, which drove him batty as a child and which he still talks about with frustration to this day. So in other words, no, it didn't strike him as a big deal that he, a white man, would write and direct a movie with black main characters.

He shot only two hours' worth of film, and he considered all of it disposable, meaning he wasn't attached to it. See the relaxed Southern ethic again? To spend all that money on film and consider all of it disposable says a lot about the man. That's why he had no problem with Eddie Rouse wanting to shoot all of his stuff first so he could bail. The whole thing's disposable, he told Eddie, so don't feel any pressure. Even after cutting the thing down to 85 minutes, he nearly lost most of it while waiting for developed film to be FedExed to him. At that point, he was resigned to it being another short film. But FedEx eventually found the package. Dave edited it at home on his computer with Final Cut Pro.

At that time, he considered Sundance to be the one and only gateway for independent films, so that was the first place he submitted it. When Sundance said no, he didn't know what to do, but Lisa Muskat did. She helped him submit to a bunch of places. The savior turned out to be the Berlin Film Festival. Soon after getting Dave's application, they called him up. Not only would they show it at their festival, but they wanted to add German subtitles. And so it was accepted at the 2000 Berlin Film Festival, found a distributor, and was released theatrically later that year. As a bonus, those who saw it in Germany got to see the subtitles. That was probably vital. As a student of German, it's tough at first understanding what the Bavarians and Austrians (i.e. southern Germans) are saying at first. I can only imagine how tough our American Southern twang is if you're from another country. At any rate, Dave couldn't say enough about how tickled to death he was that his little-movie-that-could was being shown in Berlin in front of audiences that numbered nearly a thousand.

And so Dave started off the 21st century with quite a bang. After finding a distributor, George Washington was shown in no less than 13 countries, in theaters and at other festivals. Dave said he got to travel to all of those countries that year and hardly had to spend a dime out of his own pocket. To be exact, he said that during the entire year of 2000, he only had to spend $3,500 of his own money. "I'm very proud of that figure," he said.