Sunday, September 28, 2008

Jellwagger - Episode 9: Educated Guests

You ever see The Fifth Element? Even if you have, I’m guessing it’s been a while. I don’t know why I’d guess that. It might be because I almost never see it on any of the movie channels. ‘Course it’s possible, however unlikely, that you’re just as big a Bruce Willis nut as our native Jellwagger. In that case, you probably just saw this flick an hour ago. If you have, I’m really sorry in advance for giving a rundown of what this whacky reel of celluloid is about. First off, right? It’s in the future. It’s really important to state that first ‘cause that’ll help explain all the other whacky shit that goes down. Okay. Now Bruce, right? He’s this guy called Dallas, Korben Dallas. Catchy name, I admit, but it’s no John McLane. Anyway, so this Korben Dallas fellow is a cab driver and former soldier. As you can guess, it’s that former soldier part that comes in handy pretty much right away. And by the way, his cab is a flying cab. Again, this is a good couple or so centuries in the future, so all the vehicles fly, okay? Anyway, there’s this force of evil trying to destroy the world. And it’s working in concert with this nasty fuck called Zorg, played by the always nasty Gary Oldman. So Zorg wants to help bring chaos to the world so he can profit from it. That’s when Ian Holm enlists the help of Korben. Here’s the thing, though. In order to stop Zorg and his goons, Korben needs to protect this redhead hottie known only as Leeloo. She’s a hottie, but she’s also barely old enough to drink and hasn’t a clue how to use a gun. So she’s kind of vulnerable. Making it extra complicated is that, while she looks human, she’s actually an alien. So she doesn’t speak a lick of English. That leads to one of the best lines of dialogue Bruce has ever had: “Whoa, lady, I only speak two languages: English and bad English.”

I’ll spare you too many details. Just know this, though: You are so much better off watching this movie while throwing down a few o’ those tall ice-cold ones, which is what our man was doing on this particular night, while his new Bruce buddy Kit Figures was throwing down that bottle of Chardonnay she’d brought with her because of her quite accurate suspicion that Jellwagger wasn’t a wine person. Seriously, have a few drinks when you watch this. That’s probably what the screenwriter was doing when he wrote the fuckin’ thing. This thing’s a trip. You take Gary Oldman for instance, as Zorg. I mean shit, look at the dude’s hair. And what’s with the alien opera? Seriously, during that awesome finale, there’s this freakin’ opera going on with this gorgeous water-blue alien soprano belting out a tune so out of this world you won’t know if it’s supposed to make you laugh ‘cause of how weird she looks or cry ‘cause of how beautiful she sounds.

This was just the kind of escapism Jellwagger needed when it came out. He’d been on the cusp of finishing college and was scared shitless of what the future held. His father had told him he was going to have to move out as soon as he was done with school. More than once during his senior year, he’d spring up in bed in the middle of the night, all in a sweat, wondering what in Christ he was going to do with himself. The Fifth Element couldn’t’ve come along at a better time, both for him as well as for Bruce.

While Jellwagger had nothing but respect for the Balding Beast, the same couldn’t be said for a good share of the movie-going public. Bruce signed on to The Fifth Element right after Twelve Monkeys and Last Man Standing. The former was one of those flicks that people were only going to realize was great fifty years after the fact. As for the latter, it would never be appreciated for the B Western gem that it was. ‘Course, he’d just done Pulp Fiction and Die Hard 3: Die Hardest just before that, and even Helen Keller could’ve seen how awesome those flicks were. As always, though, the audience had amnesia. It was like, “That was then, Bruce. Whatchya got for us now?” And then Bruce showed them all, didn’t he? Who could’ve predicted he’d do something as out there as The Fifth Element? Like Jellwagger, maybe this was Bruce’s way of escaping for a while, doing some balls-out weirdo sci-fi flick with an eccentric French director who, not surprisingly, wrote the screenplay for this pup when he was still in high school.

Jellwagger had a hard time getting comfy at first. He took his usual position, spread out on his recliner with his Spaten, his ‘corn, and Chump, but he couldn’t help stealing the occasional glance at the statuesque black gal on his couch with her feet up, nursing that glass of Chardonnay with an ice cube while picking at the Nachos. Soon enough, though, it became pretty obvious she was a big Bruce fan. She and Jellwagger laughed at all the same scenes, cheered at all the right moments. Within a half-hour or so, Jellwagger took her presence for granted. By the end, and because of Kit, he’d enjoyed the film more than he ever had. It was almost like watching it for the first time.

Jellwagger turned the lights back on and got them both refills. Kit asked him if she could dip into that can of cashews she’d noticed when she poured herself that first glass of wine. He warned her that they’d been sitting in his cupboard since forever, but she didn’t care. Jellwagger plopped himself back down on his recliner and left the TV on with the volume low. The eleven o’clock news was on.

He watched Kit scarf those cashews like it was her calling in life. She glanced at him and then back at the screen. “My metabolism is like an Olympic distance runner. It just keeps running and running and never lets up.”

“No shit, Shaft.”

“That suits me fine. I’m not big on meals.”

“Say, Kit. You never said a peep during Happy Hour about being a Bruce fan. I told you I was planning to watch The Fifth Element, and you were like, ‘Whatever.’”

“Baby, in my line of work, I’ve gotta be careful about what I tell people. I didn’t know you then. I still don’t know you really. Well, I’ve seen your apartment, I’ve talked to you. I know enough not to feel threatened by you.”

“You’re not afraid I’ll jump your Jersey-bred bones?”

“Oh baby, I’ll kick your ass if you try anything.” She chuckled. The Mr. Hyde look came back. It wasn’t even for a second, but it was enough to make Jellwagger gulp some spit. “You don’t understand, if there’s one thing Daddy taught me? Besides discipline? It’s how to defend myself. I’m not scared of walking down the street late at night, so I’m certainly not intimidated by a skinny white guy.”

“Oh yeah? Well. Good! ‘Cause my heart belongs to someone else.”

“Do tell.”

“Bitch! I’m not telling you shit.”

She laughed. “You’re crazy.”

“I think Ian Holm is one of the most underrated actors of all time. Don’t you agree?”

“He’s good.”

“You saw Alien, right? I just saw that again last year. I hadn’t seen it in ages. Man, he’s good as that android. I was like, watching it, if I hadn’t seen it before, I totally never would’ve guessed that he was an android.”

“Of course not. That’s what they call a plot twist.”

“And with The Fifth Element, that’s now two movies our man Ian has done where another character was named Dallas. You had Bruce in this one, and Tom Skerritt as Captain Dallas in the other one.”

Kit frowned at him for a second, then laughed. “Boy, you. Are. Crazy.” She started rolling on the couch. Seeing a woman in her forties, who just a few hours ago stood before him like a model of composure and professionalism, rolling on her ass like a giggly schoolgirl was just too much.

“No more grape juice for you, missy!”

“Oh yeah, thanks for reminding me.” She headed into the kitchen with her black pantyhosed feet sweeping along the shag carpet and then the kitchen tiles. She came back not only with a refreshed glass of Chardonnay with a new ice cube, but also with a long-neglected bag of baby carrots.

“Jesus, Kit! I forgot I even had those little orange fuckers!”

She plopped herself on the couch and started munching away. “Ian Holm’s a great actor. I know they won’t get him to play the Hobbit in the prequels, but that’s a damn shame. I think he’d be brilliant.”

“Who are they getting?”

“Cream of some-young-guy. Nah, I don’t have a clue. It’s going to be someone who’s, like, ya know, in his twenties. Even though Bilbo, as we who actually read the books know, was in his fifties. And then in Rings he was, like, what? Over a hundred?”

“It was the celebration of Bilbo’s eleventy-first birthday that kicked off The Fellowship of the Ring.”

“That’s right!” Kit said through a mouthful of stale baby carrots.

“I wish I could go back in time and see what he was like as a teacher.”

“Aw hell to the yeah.” She giggled. “Eleventy-first. Damn, I love how that man writes. All right, that’s it. I’m going back and reading all those books again.”

“Do I want to know how many times you’ve read those damned things?”

“Don’t. Even. Ask.”

“It’s a million pages long. Don’t tell me Daddy made you read it or whatever.”

“He didn’t make me read those books, but he was pretty strict about setting aside one hour a day for reading. One hour a day, every day. Including weekends.”

“Shit.”

“Nah, it was cool. Listen, baby, this started when I was, like, what? Eight? So every single day of my life since I was eight I’ve had my face in a book. Who else can say that?”

“Say, Kit. Listen up. You did a yeoman’s fucking job making me feel like a little skid mark at Happy Hour. Don’t ya think…? I mean, don’t you feel like you’ve done enough damage to the ol’ Jellwagger ego for one day? Or shit, for one year?”

“Jellwagger. Come on now. You made yourself look like a skid mark all by yourself and you know it. A tire shaving on the Turnpike, baby.”

“Which exit?”

“Exit five. That’s as far south as I’m willing to go.”

“So why are you a fan of Lieutenant McLane anyway?”

“I don’t know. Why are any of us fans of anything? You admire someone, you identify with them. I don’t know.”

“You identify with a rich white man? Now Kit, honey, you’re falling right back into what I was talking about in that spinning lounge.”

“Please, please, puh-LEEZE don’t go there.”

“I didn’t, you just did!”

“Jellwagger…” She stuffed a few more carrots into her mouth and shook her head. “Mm mm mm.” She chewed and swallowed some of it before she said, “What am I going to do with your skinny little white ass?”

“Don’t even tell me you wouldn’t have his children if he offered.”

She ignored him and continued eating carrots.

Jellwagger mentally kicked himself in the ass for sounding like a prick. Man, was he fucking it up with Kit or what? He had to assume he’d be seeing her again in some capacity or other, whether it was ferrying something to or from her and Pat, or getting together to watch another Bruce-tastic flick. If he kept letting his beer talk for him, every meeting with her hereafter would be chillier than that God damned glare she shot at him now and again. ‘Course, it was his fault he’d even had to deal with that glare in the first place.

He didn’t even know she’d gotten up until he heard her feet swish past him again. She opened and closed the fridge, then the cupboards. “You’re pretty much out of everything except the microwave popcorn. Is it buttered? Perfect. You want another beer?”

“Yes, dear.” For whatever reason, the sound of the popping corn sounded different than when he was popping it for himself. Now that his microwave, for the first time in history, was being used to pop corn for someone else, he didn’t take the noise for granted. Wow, and you know what? It sounded wonderful. Jellwagger closed his eyes and fucking reveled in both the sound and the smell of the popping corn. It was like a symphony to his appetite. Damn it! He should’ve told her to take another bag out for himself. As if reading his mind, Kit emptied half the bag into a cereal bowl for him. She came out of the kitchen and set the bowl and a brand new ice-cold Spaten on the card table next to his recliner before going back to get the bag and a refreshed glass of iced white wine.

“So this screenplay. The one you’re working on for Bruce Willis.”

“Okay, confession: I’m not technically working on it for Bruce. And if you must know, he doesn’t know I exist. If I can’t get him to play John Lane, I guess I’ll live. But it’s like the Native Americans say: If you’re going to aim, aim for the moon, right?”

“Baby, if you get this thing produced at all, that’ll be hitting the moon. Do you have any idea how difficult it is to get a script produced? Especially a spec by an unknown writer?”

“Wait a second. Kit! What the hell is your line of duty? Are you a fucking Hollywood power player or what? No, really. Please tell me before I serve you my guts.”

“What’s it about? In one sentence.”

“John Lane’s a middle manager at Wal-Mart whose family’s gone to hell. His marriage is on the rocks. His daughter’s gone gay. Life couldn’t suck bigger balls, right? So he decides he wants to take his family on vacation and get away for a while. But instead of going to those horrible equatorial clichés like the Caribbean or Hawaii or whatever, he decides to take everyone to Greenland. Here’s the funny fucking thing, though. You ready for this? He really thinks that Greenland is, ya know, a green God damned land. But as we all learned in grammar school, it’s anything but. Erik the fucking devious Red called it Greenland to fool his retard enemies. It’s Iceland that’s got more green. Greenland, man. It’s a fucking barren tundra. Except that there are people who live there. They’re like Eskimos, except they’re called Inuit. It might be the same thing. I’m not sure. Anyway, what most of us didn’t learn in grammar school is that Greenland’s the property of a certain little Scandinavian country called Denmark. Well, when John Lane and family get there, they check into this hotel, right? That just happens to be the HQ of this underground Inuit movement to shed the Danish yoke once and for all. Check it out: This hot Inuit babe works at the hotel and is secretly part of this movement. When she gets whacked, that really sends our John over the edge. He was sort of looking at her as the daughter he wish he had. Now I know what you’re saying: What a homophobic fuck, right? He comes around, though. He’ll be a really different dude by the end, after he becomes the George Washington of the Inuit people. That’s right, Kit. For it’s John Lane, this unassuming middle manager from Wal-Mart, who becomes a hero to this entire frozen island nation. Once and for all he helps them expel those fucking Beowulf-worshipping Danes. And by the way, he does have a line in the script, somewhere toward the climax when it’s really getting hot and heavy, where he pretty much says exactly that to the head Danish motherfucker. Where he says that since they had to hire some Swede to help them with Grendel, how could anyone expect them to deal with a whole fucking country?” Jellwagger was rolling on his ass at this point. “You believe that shit? John Lane talks a tough talk with those Danish baddies. A real tough talk. Sometimes he’s an arrogant motherfucker. Gee, does that remind you of a certain John McLane?”

Kit was just finishing her bag of microwave ‘corn. She wiped her hands and took a long pull of her Chardonnay. “So much for the one sentence.” After one more sip, she said: “Okay hold up. Here’s a problem I have with it right off the bat. Okay? It’s being told from the point of view of a middle-upper-class white man.”

“No, silly. I said he was a middle manager.”

“Right. So he’s doing okay for himself. He can support his family and put his kid through college. And then you have him go off to some place where he imposes his will and authority on people he views as inferior to him.”

“Now you wait there, young Kit.”

“Of course he views them as inferior. Doesn’t he trust them to work out their own problems by themselves? Why do people in this country think that other countries always need our help? It’s ridiculous.”

“It’s a vacation, silly goose.”

“Right. So why can’t it just be a vacation?”

Jellwagger tripped over his response and then laughed. Finally he pulled himself together to say: “Wait a second, Kit. If it’s just a vacation, then it’s not a movie worth writing. You’ve gotta have conflict.”

“This is the problem I have with it. Okay? And I’m not saying you should throw it out, I’m just saying the premise has a glaring flaw as you’ve described it. And maybe what I’m saying’s redundant. Maybe you didn’t describe it enough.”

“Hence my inability to encapsulate it in a single sentence.”

“But the way it seems now? It’s just… I mean, there you have John Lane, his wife, and his daughter. They take a vacation to Greenland, which is bizarre off the bat. Who takes vacations to Greenland? Do you? Do you know anyone who does? I don’t. So if John Lane’s going to go against the grain like that, it seems he needs a real motivation. Maybe he’s been reading up on it or something. Maybe he reads travel books as a hobby, or he saw a documentary. Whatever. But Jellwagger, really, it’s all about motivation. Assuming he has it, and he gets to Greenland, what is it about him that would make the Inuit in their right mind put him in charge? Think! What the hell does a guy who works at Wal-Mart know about the God damned Inuit Greenlanders? Who the hell is he to just come in there and rip shit up like he owns the joint?”

“He wants to save them!”

“Who is he to decide that they need being saved? The Inuit, I’m guessing, have been there since time immemorial. Am I right? Jellwagger, hello? I said, am I right?”

He shook his head like someone dealing with an audience who didn’t get him, then took a pull from his Spaten when he discovered it was empty.

“So let me understand.” Kit jumped up and snatched his empty bottle. “You’re writing a screenplay, the majority of which takes place in Greenland, and you don’t know anything about Greenland?” She dropped the bottle into the recycling can and opened the fridge to get another. She also put another bag of ‘corn in the microwave. “Jellwagger, I’m so glad I met you before you finished the first draft. ‘Cause really, heaven forefend you should’ve slaved over this, writing and rewriting and submitting it to agents, all without having a God damned clue what you’re talking about. Now listen. I think it’s a pretty safe assumption that the Inuit have been there a long time. And I think it’s safe to say they know Denmark. If they have a plan of forcing the issue in terms of becoming their own stand-alone nation, they would know what the hell they’re doing. So for a white guy from Middle America to just waltz in there and show them how it’s done… Puh-leeze.”

She came back out with a freshly popped bag of ‘corn and another ice-cold one for our poor demoralized writer. She set the beer down next to him and emptied half the bag into his bowl, but he didn’t take any notice of it. You’d’ve thought he was just an outgrowth of the chair.

“Are you listening? Baby, I’m not saying the whole thing’s worthless. But you have to consider the point of view of the oppressed people. My people were oppressed in this country. Did anyone take our point of view into consideration after the Civil War? Yeah, it ended slavery, and that was great, but that was hardly the end of it. You had racism in the so-called heroic North like you did in the South. You’ve still got racism today. There’s no panacea for that kind of shit, Jellwagger. So it seems to me that while John Lane can be a hero, he should probably have his fair share of prejudices and preconceived notions about the Inuit. Think of those Eskimo stereotypes people have. How they all live in igloos and beat baby seals to death so they can eat them.”

“I didn’t know Eskimos have stereotypes.”

“You could find stereotypes about everybody. Jellwagger, get with it! Believe it or not, and this may shock your ass back to Jersey, but there are even stereotypes about white people.” She let her mouth fall open and opened her eyes wide in mock shock. “And as a bonus, it sure would make this John Lane fellow a much more interesting guy if he had some flaws, you know? Yeah, the audience could sympathize with him for, say, having a wife who cheats on him or something. And by the way, that was a nice touch about his daughter’s lesbianism sending him into a tailspin. You see? So he’s got a touch of homophobia. Now throw in a dash of Eskimo prejudice, and he’ll be both flawed and sympathetic. And by the end of the story, he’ll have changed. By giving your hero flaws off the bat, you’ve given him room to grow and change, and you’ve given yourself a reason to tell the story. Because if he’s going to be the same asshole at the end as he is at the beginning, then I don’t care if it’s Bruce Willis or how much action there is. There’s no reason for me to pay fifteen bucks to see this movie.”

Jellwagger took a couple pulls of his Spaten. Amazing really, how a beer that normally tasted so good could suddenly have no taste at all now that his stomach felt like it was ready to expel its contents back through his mouth. Seriously, our boy felt ready to hurl. Instead of puke, though, what came out was: “Unbelievable. I don’t think I told Pat at all about my script. Maybe a little bit. Does it matter? He could’ve found out from Betty that I was working on Bruce’s next masterpiece.”

“What are you saying?”

“That it could hardly be a coincidence that my first delivery for him is to a movie producer.”

“Baby, if I was a producer? Okay? I’d produce your ass out of town and tell you to go back to Jersey and rethink your career. Nah, seriously, Jellwagger. I’ve got nothing to do with the movies, okay? What I am is a huge movie fan. Like you! You’d be a terrific judge of your own work if you just knew how to take a step back now and again and give yourself a healthy dose of self-criticism.”

Jellwagger let out a deep sigh and took another pull. “Cut to the chase, Kit!”

As soon as she swallowed the ‘corn she’d just scarfed, she said, “Rewrite the motherfucker. And when you’re done, rewrite some more. Do a page one rewrite if you have to. Cool thing is, you’re barely into the first draft. Because what would really suck is if you had already written a bunch of drafts of this God damned white man Die Hard wannabe marching into Greenland like he’s the expert on what the Inuit should do.”

“You know what would really be awesome, Kit? If you could tell me how in fuck you can throw down all that booze and all that food and not gain a freakin’ ounce, man.”

Kit didn’t say anything for a good long while. At first Jellwagger wasn’t sure the unbelievably opinionated and well-dressed gal had heard him. He was going to press the issue but decided he was too God damned tired and frustrated to give a flying fuck about her metabolic rate. Her critical bombardment of Exit the Danish had really left his ass wiped clean. Sure, it was nice having a polished crack, but the rest of him felt exhausted. He was dozing off in his chair when Kit jumped up and swish-swished to the kitchen.

Judas fucking Priest in a popcorn bag, was the Nubian sculpture on her way to finish off whatever he had left?

She was in the kitchen for quite a while, and a lot of the time, in between the occasional swishing of her feet and the clanking of ice cubes, Jellwagger couldn’t hear a thing. What was she doing? Several times he was on the verge of blowing his top with her about gorging herself on his every morsel, but again, the Spaten, coupled with his exhaustion from the week, made him resign himself to whatever she wanted to do. God, did he want to sleep! Look at Chump with his cute little head on Jellwagger’s lap, out for the count, the lucky little bastard. That patch-worked purebred could sleep through a seven-point-oh building killer for Christ’s sake. How Jellwagger wished he could emulate his best friend sometimes. I mean sure, our curmudgeon of a hero could’ve conked out right then and there and slept a good, solid ten hours or so, but in the morning he would’ve been wracked with guilt about the whole having-a-guest-in-the-joint thing.

It wasn’t until Kit splayed herself on his couch that he realized he’d been nodding off. But for how long? Wow, Jellwagger really had no sense of time at all now. When was the last time he’d been so delirious? Seriously, our man thought about it for a good several seconds or so. During college, what with seventeen-credit semesters while holding down part-time jobs, things could be hectic. Sure enough, there’d be the occasional night when he conked out doing homework. Tonight, however, was a completely different story. What he was feeling now was the accumulation of restless nights ever since he’d made the shit-for-brains decision to start stalking a comet-headed madam with a billionaire ex-hubby. This particular Jellwagger was so tired, so worn out, so rubbed into the ground, that in a certain sense, he didn’t feel tired anymore. If he were to strip down to his skivvies and hop under the covers to get a normal night’s sleep, he wasn’t entirely sure he’d be able to do it. He’d heard of people being too exhausted to sleep but never knew what that meant. Now he did.

His eyes snapped open again when Kit started talking. Her voice was so low that Jellwagger thought she was having a conversation with herself. It was safe enough to go back to sleep. If she needed him…

He jerked awake with such a start that even Chump’s eyes opened, sort of, for a few seconds, before he was back in doggy dreamland. What was going on? It took him a sec to realize that Kit was saying something to him. Judging by her voice—holy shit—this was something incredibly important. Amazing, really, how the very timbre of a woman’s voice could get Jellwagger’s adrenaline flowing again with such ferocity that the fumes he’d been running on just a second ago were replaced by a fresh tank of gas.

“Besides Daddy, I haven’t told anyone what I’m about to tell you,” she said.

Trying to seem like he wasn’t missing a beat, he said, “Oh now, Kit. Surely you jest. Whatever you tell me, you’ve told Pat Dinner. And Carla Houde. It’s totally cool.”

Her voice barely rose above a whisper. “Hold up, Jellwagger. I don’t know anyone named Carla. And my relationship with Pat Dinner has always been professional. Most of what I’ve told you tonight, I’ve never told him. He has no idea about my being from Jersey, my being a Bruce Willis nut, none of that.”

“How is that possible?”

“I’m going to tell you something that no one besides Daddy knows. And even he has only known since last year. Okay? Swear to me that you won’t tell a soul.”

“Oh, what am I going to do? Say I don’t swear?”

“Jellwagger, if you tell anyone what I’m about to tell you…” She took a sip of her iced wine and stared at nothing in particular.

Jellwagger was beyond awake now. No amount of Starbucks Breakfast Blend from the Powell and Powler break room could’ve made him feel more wired than he did this instant.

He turned to Kit and locked eyes with her. “Listen to me, Kit. I swear. Okay? From one Jersey kid to another: I swear I won’t betray whatever horrible secrets you’re about to unload on me. I wish you wouldn’t do it, Kit. Right? I’ve sort of got enough on my shoulders as it is. But hey, you wanna fuck it up, go right on ahead.”

She sat there for what seemed like an eternity.

He snapped open his eyes with a start. Shit! How long had he been asleep? He looked over and, sure enough, Kit was still there, her legs straight out, one foot resting on the other, the glass just about half drunk. And the ice cube hadn’t melted completely yet. Okay, so he hadn’t been out that long. But had she changed her mind about spilling whatever can of beans she’d had the urge to spill earlier?

“So this is how it is.”

At first Jellwagger wasn’t sure if a voice in his head had said that or if Kit Figures was at long last about to give it up about Kit Figures. Had he ever felt more delirious in his life?

Just as Kit opened her mouth, someone tapped on the door.

Jellwagger jumped what felt like several feet into the air. While he managed not to fall out of the recliner, that poor little Mr. Chips was not so lucky. At least he landed on his feet, though. He shook his head several times, his ears flapping, and then decided it was time for a few slurps of water.

Kit, meanwhile, took a sip of her wine before going back to her staring-into-inner-space mode.

Jellwagger got to his feet and waited for the dizziness to pass while holding onto the back of the recliner.

The tapping came again.

“Hello, Michael,” Connie said with her usual imperturbable smile. “I was just wondering, has Christian been by here?”

“Hey there, Kit? You seen a five-year-old squirt with scruffy blond hair named Christian?”

“Oh I’m sorry, do you have guests?”

Kit returned from the dark place, got to her feet, and was at Jellwagger’s side faster than Christian would’ve flocked to candy, that gorgeous smile spread across her smooth face as if in response to Connie’s smile. No, it wasn’t like they were competing for most wattage. It was an animal coming across a member of its own species for the first time in years. “Hi, I’m Kit Figures, a friend of Jell…er….Michael’s.”

“This is Connie, best landlady ever.”

They shook hands. “He’s too nice. How are you?”

“Where are you from?” Kit said.

“You mean my accent? Yeah. I’m from Denmark originally.”

Kit gave Jellwagger a long look, while our man’s eyes glued themselves to his feet and his cheeks felt like melting beets. She turned back to Connie with a look and tone oozing with interest. “Really?”

“Originally. Although I’ve lived in this country for over ten years now. I lived in Miami first.”

“Which is where you met the man you thought was the one.”

Connie was about to say something, then nodded and laughed.

“And now look, girl. The man can’t even be counted on to share custody of your boy. Can’t even be counted on for child support, can he? And you look back and wonder what the hell you were thinking shacking up with him. A volcanic lay a great father does not make.”

Connie’s face was now as red as Jellwagger’s. She took a couple steps back into the courtyard and laughed.

“Say, girl, we were just sitting around having drinks. You want a glass of wine?”

“Actually, I’m looking for my son.”

“Oh that’s right!” Kit laughed and pressed a hand on Connie’s arm.

“Hey!” A man from one of the third-floor apartments on the opposite end of the courtyard was waving at Connie. “You looking for Christian?”

Connie’s smile vanished, replaced with mild alarm that looked ready to break out into panic at a nanosecond’s notice. “Have you seen him? You know where he is?”

“He’s in Anna’s place. Air guitar.”

A big gust of air left Connie’s chest as the smile came back. “Oh okay.”

“I just thought you should know.”

“I was looking for him. Thank you so much, Tony.” Connie stood there with her hands on her hips as Tony continued talking with one of his drinking buddy neighbors.

Kit came out and put her hand on her arm again. “Girl, between managing this building and being a single mom, don’t you know sleep has become a scarce commodity.”

“I feel like I’m managing two buildings. Christian’s an amazing boy, and I love him dearly. I would die for him, you know? But he’s like another building.” She laughed.

“Hey there Con,” Jellwagger said. “I remember you telling me once that you’re always tired.”

“That’s true.”

“That you just take it for granted.”

“I’m tired so much I don’t even think about it anymore.”

“I don’t doubt it,” Kit said with a wink at Jellwagger. “With a tenant like him?”

“Michael’s one of my best tenants. He never complains. He hardly ever bugs me about fixing the smallest little thing. His cute little doggie is always so well behaved. No one ever complains about him.”

“Fuh-REE beer for that one!”

“Seriously, girl, now that you know your boy’s okay, why not have some wine and some girl talk?”

“You don’t mind, Michael? ‘Cause I don’t want bug anyone, you know.”

“Oh, I’m sorry,” Kit said. “By girl talk, I actually meant you and him. You and I can talk too if you want.” They leaned their heads toward each other as they giggled.

Jellwagger, with Chump E. Chips now at his feet, opened the door wide. “Get in here, Con. For the way you were so honest about my sterling tenancy, you can have as much booze as you want. If you’re hungry? Well, I’m afraid you’re S.O.L. courtesy of that one.”

Connie and Kit got settled on the couch while Jellwagger switched from Spaten to a tall glass of soda water. He watched Letterman and massaged the out-for-the-count Chump’s smooth little head, only listening to the gals part of the time. Kit was going on and on about growing up in Fort Dix. After Connie talked a little about her upbringing in Denmark—she wasn’t nearly as forthright as Kit—Kit marveled at how similar their upbringings were and how amazing that was, considering they grew up thousands of miles apart. At one point Connie did go into detail about her ten years in Miami and how she ended up with Christian’s father and how that whole arrangement eventually went the way of punk music. Jellwagger wanted to know more about that, but he’d always been too chicken to pry into that part of Connie’s past. Who knew what sort of hardships she suffered during her stint in the Sunshine State? What if even a single prying question from our boy here set her off on some tirade of indignation that switched him from number one tenant to number one on the shit list?

The dozing he’d done before Connie showed up gave his brain enough extra juice so that he didn’t feel tired at all now, although he knew this second wind wouldn’t last more than an hour or so. At one point, while mostly focused on Letterman’s Top Ten List, he could’ve sworn he heard Kit say something about a son.

At some point after midnight he was finally invited into the conversation when Connie said: “Really? Is that true, Michael?”

“What’s that, Con?”

“You’re working on a screenplay about Denmark?”

“Not quite.” He gave Connie the rundown on Exit the Danish.

“Oh no!” Connie said with a laugh. “You’re making the Danish people the bad people in the story? I see. Why? Have I been such a bad manager?”

“I know you jest, Con, but please don’t worry. It’s just a simple action picture. It’s Bruce Willis trekking off to Greenland and helping the Inuit gain independence.”

“But you do know they are independent, right?”

“Oh no he didn’t,” Kit said with her face in her hand. “Jellwagger, research!”

“When did that happen?” he said.

“No, you’re right,” Connie said. “They are a province of Denmark. But they’re an independent province.”

“I knew it!”

“But that only means they have Danish currency, they have the same sort of… How would you say? The same way of governing themselves.”

“The mother country is the template, if you will.”

“I don’t really know why they’re a province, know what I mean? I didn’t study it for very long. Once I was done with school, I was done with that whole, you know, world.”

“I heard that,” Kit said. “And what you’re really talking about is…” She nodded at Connie. “You know…” She put her arm on Connie’s. “I won’t say anything if you won’t.”

“But still, Denmark’s my home country, I’m proud of it. I just hope you don’t make the Danish characters in your movie a bunch of, you know....” She laughed. “These big monsters or whatever, know what I mean?”

“She’s saying they should be well-drawn three-dimensional characters. People the audience can identify with, even if they are your story’s antagonist.”

“Jesus, Kit! Are you absolutely sure you’re not a.…oh I dunno.…”

“Just focus on your story. You have two people here, in your apartment, on a school night, supporting you and your work. We think you have the makings of a good story, but with a whole planet-full of room to improve. Think of Die Hard. Remember Hans?”

“Best villain ever.”

“What made him such a great villain? Was he just this scary guy who came in and caused problems for no reason? No, he had a personality. He was actually kind of charming. Great sense of humor. You always looked forward to the next time he was on the screen. So far, it doesn’t seem like you have that.”

“Denmark’s a big country, know what I mean?” Connie said.

“Oh come on, Con.”

“Okay, it’s a small country, but it’s big. It’s got millions of people. Some of them might support keeping Greenland as a province. Others might be against it. Did all Americans support going into Iraq? Since your story has Danish troops coming into Greenland, who’s to say that some of them don’t have reservations about what they’re being told to do? Again, think of American troops in Iraq. A lot of them didn’t agree with it. Or at least they had doubts, know what I mean?”

Jellwagger felt the feedback smack him in the head like a big fat pillow: He hadn’t asked for it, but ultimately it would make his life easier. Holy shit! Of course! That could be one of the subplots, right? These two brothers in the Danish army: One of them’s all gung-ho ‘n shit about killing as many Inuit as possible, but the other guy, the soft-hearted kid brother, would have his doubts. At first he’d keep them to himself, but by the end the two come to blows. The kid brother will naturally go over to the Inuit side to help John Lane. That’s how John gets the crucial information he needs to kick the Danes back to their little land-spit of a country once and for all. Hey, Jellwagger knew. Maybe the head bad guy was the father of these two brothers. He’d be like a general or whatever, part of a long line of military heroes going all the way back to that one guy who fought side by side with Beowulf against Grendel. So you know, the two brothers would have a ton of tradition to live up to. One of them would have to die, and it was pretty obvious who it would be: The soft-hearted kid brother. After going over to help John Lane plan this massive attack, the older asshole brother sees that he’s going to lose but orders a counterattack anyway. He’s an asshole, so what do you expect? It’s the last hopeless thrust that kills a bunch of the Inuit revolutionaries….as well as the soft-hearted kid brother. Both the older brother and the general father live. And that’s how they lose. That’s how Exit the Danish would stand a level above all those other Bruce Willis action-tastic masterworks. The head bad guys would live, and that would be their punishment. After John Lane becomes a hero—Jellwagger wasn’t sure if he’d go back home or stay to run the new Greenland nation—and before the credits roll, we see the general arrive back in Copenhagen racked with doubts about the life he’s led, about the career he coerced his boys into, about the military tradition of his lineage, every-fuckin’-thing. He wouldn’t commit suicide. Jellwagger didn’t want a coward for a villain. He’d resign his post or something, much against his surviving son’s wishes. That asshole wouldn’t’ve learned a God damned thing by the end. He’s as hard-headed and bent on revenge as Grendel’s mother. His father leaves him to it and goes off somewhere to rethink his whole existence. So that’s how it ends. The head villains enter this sort of living purgatory, which anyone can tell you is a fate worse than death. Meanwhile, John Lane helps the Inuit rebuild their lives.

“The end!” Jellwagger shouted. “Fuckin’ A, Con! Fuck. Ing. A. You’re a genius!”

“…while some of the people there could be sort of divided too.”

“Oh I’m sorry, Con. Were you saying something?”

Connie smiled.

Aw shit. Jellwagger wanted to bop himself with one of those empty Spaten bottles. Connie had just gone on and on about something, and he’d been too busy living in his script. That’s when Kit piped in. She laughed with Connie before saying:

“I know, right? Men. What she said was, some of the population of Greenland includes whites who are Greenland born but are descended from Danish immigrants. You’ve got a mix of those two languages there: Danish and Greenlandic. Connie was just saying how you might have internal division there just as you would with the Danish army. So in essence, Jell… I mean, Michael. You’d have the A plot with the invading Danes and John Lane and all that. Then you’ve got two B plots: The internal division within the Danish army as well as the conflicts within the Greenland population. Now you could have unrest back in Denmark, but then you’re getting into TV miniseries territory, where you’d have the room to explore all that. But you don’t have more than an hour fifty minutes.”

“Huh?”

“So maybe you could sort of allude to the domestic unrest, right? You know what I’m saying? Just like we have protests outside the White House whenever we invade a country, in your piece you could show John Lane or someone watching TV, just something really quick, a news report about demonstrations in Copenhagen.”

“’Kay but back to the one-hour-fifty-minute thing. Where did that come from?”

“Michael. Please. You have no track record. You’ve never sold any scripts. Nothing you’ve written has ever been produced. You don’t want to give agents and producers any reason to throw your script into the recycle bin. So in addition to coming up with three-dimensional characters the audience can sympathize with, and interesting bad guys, you need to have a tight script. If you could keep it below one-oh-five, even better.”

Jellwagger leaned back and gazed up at the cottage cheese ceiling. “You guys are killing me, man. You’re killing me!”

“You can do it. At least we caught you before you got too far.”

“Now all’s I need is time to get back to this thing. But with Pat…” He didn’t even have the energy to bitch about Pat Dinner. And he sure as shit didn’t want to tell them about Carla. Kit didn’t even know who she was.

Well, if she didn’t know her, she would in the next minute. Everyone turned with a start toward the sliding door that opened onto Jellwagger’s balcony. With his apartment on the first level, his balcony was low enough to see the underground parking of the dingbat next door. It was also low enough to the ground that anyone walking by could grab the bottom of the bars and pull themselves up.

That’s exactly what was happening now. They all turned upon the sound of clanging against the bars. Jellwagger jumped up in time to see the outline of someone climbing over the railing. The other dingbat had enough lighted windows that Jellwagger could clearly see that this silhouette belonged to a woman. She stepped up to the sliding door and tried to open it. Jellwagger always kept it locked on the off-chance that an intruder would try this very tactic. But shit, he never thought it would actually happen.

Kit and Connie stood up in slow motion. “Jellwagger?”

“I’m calling the police,” said Connie, pulling out her cell.

“You don’t need to do that!” came the woman’s voice. She tapped her nails on the glass several times. “Jellwagger, open up. Come on, man, it’s cold out here.”

Jellwagger stepped up to the sliding door and pulled the curtain aside to see none other than Stefania standing there. Good God, no wonder she was cold. The hottie wasn’t wearing much more than hot pink floss. He unlocked the sliding door and pulled in open, sucking in a string of drool.Stefania stepped past him and took a quick assessing glance at the other two women before turning back to our lucky boy. “Carla sent me here to fuck, sweetie. Do not give me any shit. Do not be weird. I don’t have the time. And then she’s got other stuff for you to do.”

To be continued...

Wednesday, September 24, 2008

Stan's Problems

(Governor Tom's Note: This is a little piece of escapism I whipped up ten years ago. 'Hope you like it.)
________________

The tinny chimes of the wall clock on the other side of the room made him jump in his seat, causing a few drops of his watered down Scotch to spill onto his dried, veiny hand. He looked at the contract on the table in front of him to be sure it was indeed the right time. The twelve monotonous chimes, drowning out Mozart, seemed to mock the rapidity of his heartbeats while he quadruple-checked the last clause. Yes, there it was. The contract stated it plain as day. The expiration was midnight, October 10, 1998. He slouched back in his chair, his fear closing his throat. After putting down the Scotch, he took off his reading glasses and checked the clock to see if it was only eleven instead of twelve, just as the twelfth chime sounded. He checked his watch (which also gave London and Moscow times in case he still cared), but it only confirmed the clock’s claim. It was really time. Had it been two hundred and ten years already? He remembered vividly the day he sat down with the agent Bartholomew at O’Reilly’s Pub in Boston. That a lifetime had a fixed definition in the contract of exactly seventy years hadn’t bothered him at all. Three of those were more than enough, he remembered thinking. But he’d been wrong. He realized this long before this lifetime was over. Three was no better than one. He was just as confused and bitter as he’d been in the beginning.

Someone tapped lightly on the front door.

Maybe he’d ask a question or two, he thought as he stood up, the pain in his lower back flaring, his knees popping, the soreness in his left foot coming back to life when he put his weight on it. The pains and sores that riddled his aged body made the already agonizing trip to the front door even worse. When he opened it, he greeted the shaded Bartholomew with a glance before standing aside to let him in.

"Hi, Stan," he said with his thick voice that made the flab under his chin shake. It never ceased to amaze him that someone like Bartholomew would bother to knock and wait to be invited in like a kind neighbor. And he hadn’t changed physically either. He wore the same navy blue suit with the icy blue tie. His brown hair was the exact same style it had always been, the sides slicked back and the top spiked. He had the same small patch of whiskers on the tip of his pudgy chin with the same amount of curled flab beneath. He had originally guessed his weight to be about three hundred pounds, and to this day, over two centuries later, Bartholomew had probably neither gained nor lost a pound. "How ya doin’, buddy?"

"How the hell do you think I’m doing?" Stan said as he led Bartholomew to the dining room table where the contract was.

"Mind if I have drink?"

"Sure. I’ve got vodka."

"I’ll take Cognac, thanks."

Stan went into the kitchen. "Since when did you stop drinking vodka? Have the last seventy years changed you that much?"

"I like to vary my cocktails once in a while," Bartholomew said as he sat down at the dining room table, the chair creaking under his weight. He set his briefcase on the polished oak and opened it up to pull out his copy of the contract. "Stan, what’s that smell?" he asked as he heard the clinking of ice cubes in a glass.

"It’s my evergreen-vanilla potpourri. You got a fuckin’ problem with it?"

"No. I don’t think I’ve ever smelled this combination. You’re the one who’s changed, my friend."

"I’m supposed to, asshole. I’m human."

"Swearing. Maybe you haven’t changed so much."

Stan tried in vain to keep his hand from shaking as he poured the Cognac. "Why the hell are you wearing sunglasses anyway? It’s the middle of the night. I know where you’re from. You don’t have to try to be spooky around me. And if you’re trying to be, you could use something a little less cliched than that."

Bartholomew reached up behind his shades and massaged his eyelids. "I am not trying to be spooky, Stan. The light hurts my eyes." He also wanted to add how tired he was and how much he wished they could just get down to business, but if the old man wanted to stretch his time on Earth by a few more minutes, maybe that was all right. Almost all of his clients did this, even though they were just delaying the inevitable.

Stan almost dropped the bottle of Cognac as he tittered. "Are you shitting me, Bartholomew? I never knew light hurt your eyes." He put the cap back on the bottle and put it back in the cabinet.

"They do not hurt my eyes normally. I just have a major hangover, okay? Now where’s my drink?"

"Keep your suspenders on," Stan said when he came back into the dining room with the Cognac. He turned the dimmer a bit to soften the sextet of lights hanging from the ceiling. "Does that help?"

Bartholomew clenched his jaws to keep his temper in check. "That’s fine. Thank you."

Stan grabbed a cocktail napkin, green and white with his country club’s armor insignia in the center, from the stack of them on the closed, dusty cherry clavier, which also displayed his family’s rogue’s gallery. He softened the lights further until the faces were unrecognizable. He handed the drink to Bartholomew.

"Thank you. And you don’t have to soften the lights any more. Really, I’ll be okay." Bartholomew was proud of his composure. "Now. Shall we get down to business?" He leafed through the contract.

Stan wasn’t sure why he was suddenly so hesitant to speak his mind as he slowly retook his seat. The sky blue cushion did not have any effect on his posture now. He was just as uncomfortable as if it weren’t there at all. He could feel his vocal chords trembling in tune with his hands. "Before you read the clauses to me, I just have a question or two."

Bartholomew rolled his eyes behind the shades. "Sure. Anything." He smiled. "I think I can accommodate one last wish."

"What is the meaning of all this?"

Bartholomew had the Cognac an inch from his lips when he stopped. "I’m sorry. What is the meaning of what?"

Stan waved his arms around, gesturing to nothing in particular. "Of this. Of this planet, of having to live on it. What’s the point?"

"Are you asking me what the meaning of life is?"

"Yeah, I guess I am," Stan said, regaining control of his voice.

Bartholomew dropped his head with a laugh. "Stanley, please tell me this is a joke."

"Don’t laugh at me, you fat fuck. I’m asking a serious question. I have been given the privilege of living three lifetimes on this God-forsaken planet. And I still don’t understand life. What’s the point? I just don’t understand it."

"What am I supposed to do if you don’t understand life?"

"What, you mean with all of your supernatural abilities and powers and wisdom, you can’t tell me the meaning of life?"

Bartholomew could feel the sweat break out on his forehead, but he tried as hard as he could not to betray his impatience. He took a sip of the drink, swallowed, put it back on the napkin, and cleared his throat. "Now Stanley, surely you can see my difficulty with that question. I’m not the one who’s been living on this planet. You are. My aim in life is so simple and solitary that it’s agonizing sometimes. I work to obtain people for the Big One Down Below. That’s it. I mean, that is it. That is all I do, Stanley, and it’s all I’ve ever done."

Stan suddenly saw the stupidity in asking this man. Bartholomew was right. He was the last person who would understand the meaning of life. He could see the sweat glistening on his forehead and wanted to apologize. But he couldn’t bring himself to it. The last thing he wanted to say to this man was, "I’m sorry." He could see that Bartholomew was trying to suppress another titter. "What’s so fucking funny?"

"I just find it hard to believe. I’ve sold this three-lifetime deal to so many people over the millennia, and you are the first person who’s come out on the other side complaining that you don’t understand life. Are you trying to tell me that, if I asked you, you wouldn’t be able to tell me one thing about human life?"

"Sure I could," Stan said. "It’s nothing but problems."

"Problems? I find that hard to believe. You’ve led some pretty big lives over these past two centuries. You helped found a territory and held a significant seat in the government in the first. By being an oil magnate you became one of the richest men in the world in the second. And do I need to tell you about the life ending right now? One of the leading physicians in the country."

Stan wanted to laugh. He was a highly praised orthopedic surgeon who couldn’t cure his own back pain. Of course Bartholomew couldn’t have known that life was really just a collection of complications, most little, but some major, like losing his wife to dysentery in the first life, or losing his parents when he was only eight years old in the second, or all the patients he couldn’t cure during the third life. And now he was at a loss to explain it all. "I just don’t understand it."

"Was that why you entered into this deal? You wanted to understand life?"

"I was sure three would be enough. But here I am right back with the same problem I started with."

Bartholomew sat back in amusement at this cranky old fool. He tried not to smile too widely. "I’m sorry, Stan."

"Stop smiling. I can’t believe I asked you this."

Bartholomew took another sip and smacked his lips. "So life is just a bunch of problems and–"

"And I want to know why. I want to know what the point is. But if you can’t help me, then forget it. Let’s just get on with this bullshit."

Bartholomew finished his drink and placed it on the napkin with an eager firmness. "Right, then." He paused and looked carefully at Stan, who was averting his eyes and rubbing his hands. "Are you scared?" He always felt obligated to ask that. He didn’t know why.

Of course he was scared, Stan thought. He was about to be sent to a place about which he’d heard countless horrific myths and fables over the last two hundred years. He was actually going to see it with his own eyes and experience it for the rest of time. His heart felt like it wanted to leap from his chest into the fat man’s face. He was suddenly sweltering under his sky blue button sweater and the tan and brown checkered shirt beneath it. Just an hour ago those layers were just enough to keep him from shivering. "I’ve been ready for a long time. Let’s get it over with, okay?"

Bartholomew sat forward with renewed energy. "You got it. You have your contract, I have mine. Please follow along as I read." Just as he was about to start, he looked up at him. "I’m sorry, could you please turn off the music?"

"I don’t fuckin’ believe this," Stan said as he got up. This abrupt delay made his stomach nauseous and a chilly sweat break out on his forehead, face, and palms.

"And no, I don’t have a grudge against Mozart because I couldn’t get him. I didn’t even like the man."

Like I give a shit, Stan thought as he turned off the music. He went back to the table and sat down, keeping his eyes on the red and green branches, vines, and flowers which decorated the salmon background of the dining room rug. Bartholomew spit out the ice cube he was playing with in his mouth.

"Stan?"

"I would like to have a word with your boss when we’re through," he said dryly, all of the pretentious aggression suddenly drained away. "Just a few words, if that’s okay."

This time Bartholomew couldn’t hold in the laugh. "I’m sorry, old man. That would be quite impossible. The Master’s very busy, as you can imagine. Well maybe you can’t. Many people aren’t able to imagine someone like that. But take my word for it."

"I don’t care. I want to speak to him. He can work while I’m speaking to him for all I give a shit."

Bartholomew sighed. His temples throbbed. This was taking too much energy. "All right, I’ll add that in as a new clause. Conversation with Master." Stan looked at his contract and saw the words appear as if white dust had just been blown off the paper. "Okay. Now can we get started?"

Through tight, chapped lips, Stan said, "Sure."

After the reading of the contract, Stan had a heart attack and died. Bartholomew escorted his soul to Hell. It wasn’t as dramatic a journey as Stan thought it would be. They left the house and got into Bartholomew’s black Lincoln as if they were going to the mall (another kind of hell for Stan), leaving behind the two-story mansion and all the memories (and the corpse) it contained. His wife had passed away two years ago. He wouldn’t have to worry about her grieving. His three kids, however, were a different story. They would never know his true fate. In his first lifetime he hadn’t had any kids, and he only had one in his second life, a daughter. He never did find out what happened to her, never had the time.

When the familiar surroundings of the neighborhood went black, he told himself to stop worrying about things beyond his control. Before he knew it they were in a parking garage. Bartholomew told him to get out and follow him. They went through a series of narrow, dimly lit corridors with grimy green walls. Their footsteps echoed.

They finally reached a small cubical room where a heavily made-up, black-haired, pale-skinned woman sat at a computer pecking away. The room had the same ugly green walls and metal floor. "What is it, Bart?" she asked without looking away from the screen. Her accent reminded Stan of New York City.

"Someone’s here to see the Master. He won’t take long. I’ll catch up with you later, Stan." Bartholomew left and closed the door before Stan could say anything. Contrary to before, he now felt very uncomfortable separated from Bartholomew.

"Whatdya want, hon? I’m busy." Her typing never slowed for a second.

"I’m here to see...um...the Man."

"What man?"

"Whatever you call him. The devil. Satan. I always preferred Satan. I don’t know why."

"Well then you’ll use Satan. Now whatdya want?"

"Are you....uh....Satan’s secretary?"

This made her stop typing and turn to him. Her eyes were black marbles. "Just ‘cause I’m a woman makes me a secretary? Sexist bastuhd. Well, I guess that’s why you’re here."

"No, I’m here because I sold my soul."

"Whatevuh. I am, as you say, Satan. Now whatdya want?"

Stan’s head hurt. None of this made any sense. "I thought Satan was a man."

"I’m whatevuh I wanna be." While her two hands danced on the keyboard, a third arm reached up and scratched her shrubbery hair. He looked hard through the murk and could now see not one but two more pairs of arms. Of the three arms still under the desk, one of them seemed to be doing something frantically. "Get whatevuh it is off ya chest or else I’ll kick your ass out."

"I just wanted to ask you......about life."

"Life?" she said, turning to him. "What about life?"

"I just finished a contract which permitted me three lifetimes, or two hundred ten years, on Earth. And I still don’t get it."

"Don’t get what, hon?"

"What life is for. I don’t understand what the purpose of it is. Why do we have to go through it? Why can’t we just......start here or in Heaven?"

Satan turned back to the millions of names zipping by on her screen, two of her hands typing frantically to make sure the flow was uninterrupted. It wasn’t as easy as she was sure people thought it was to type and talk at the same time. It actually gave her a migraine every day without fail. The only thing that made it bearable was the third hand she used to masturbate, and the fourth and fifth hands she used to massage her quads, which were sore almost every day from running up and down escalators with boxes of contracts. She couldn’t let Bartholomew do all the work. She was using her sixth hand to pick out some itchy skin flakes from deep within the forest on her head while this newest client was asking her about life. She laughed. "Hon, how in Hell am I supposed to know, huh?"

"You’re a major player behind the scenes of life. I thought you’d know."

"Hon, I don’t know the first thing about what life is for. You should ask my ex-boss."

"I can’t. I’m stuck here."

"Life sucks, doesn’t it?"

"That makes me believe you and your rival are sadists or something. You stick us on the planet with apparently no purpose, let us experience all the problems life has to offer, and then off we go, up or down."

"Or neithuh. Limbo does exist, ya know."

"So is it like a test then? To see where we’ll end up?"

"Hon, I dunno. Really. It could be a test or it could be nothin’."

"Jesus, Satan!" He threw up his arms. "Could you be any less helpful?"

Her quads ached even more. "Look, I dunno why you’re askin’ me this stuff. I’m not a sage or nothin’. I’m the devil. I take souls from Gawd. We duke it out on Earth by seein’ who gets the most souls. That’s my purpose, hon, if ya wanna call it that. To win the most souls."

"But that will never end."

"No one said it was goin’ to be easy."

He felt his spirit drooping. "So then I guess I’ll never...I’ll never understand life. I’ll never understand the meaning of it."

"You’re breakin’ my heart, hon. Are ya done now?"

"Is there anyone else I can talk to?"

"Not if you’re just gonna ask that question. And if you have a question I can’t answuh, you’re outta luck. Sorry."

As if on cue, Bartholomew walked in. "Ready to go to your room, Stan?"

He didn’t want to give up, not now. But Satan had a point. If she couldn’t help him understand life, then no one down here could. And now he was about to resign himself to an eternity of solitude. He wouldn’t be totally solitary, the more he thought about it. He’d have this question to keep him company. "Sure."

Thursday, September 18, 2008

At the Movies with Governor Tom: Appaloosa


Tonight I took a jaunt to the ArcLight Sherman Oaks to catch a sneak of Appaloosa, the new Western with Ed Harris, Viggo Mortensen, and Renee "She didn't even need to say hello to get me" Zellwegger. Ed also directed the film and co-wrote it with an actor pal of his named Robert Knott. Indeed, this is Robert's first writing credit, and it's the first time Ed Harris has directed since he gave Marcia Gay Harden's career a kick in the pantsuit with Pollock back in '01.

It was a real treat seeing Ed in person. What made it even better was that, because he's such a terrific interview, the Q&A following the film lasted a solid hour. As you can tell by looking at this blog, I've been to my fair share of Q&As. You're lucky if they go even a half-hour. The most recent one I attended before this, The Pineapple Express with director David Gordon Green, lasted barely twenty minutes.

What made it yet more awesome was that I can remember seeing Ed in stuff as far back as when I became a movie fan. In the early eighties I vaguely remember The Right Stuff, in which he played John Glenn. I was quite young then and didn't come within a light year of having the patience to sit through it. In fact, I didn't even watch it all the way through until I got it from Netflix a couple years ago. I think the first time I took real notice of Ed was in this flick in '89 called Jackknife, in which he co-starred with Robert De Niro and Kathy Baker. I was living with my mom at the time. She had Showtime, which showed this flick quite a lot. Ed and Robert play these two Vietnam vets who lost one of their buddies during the conflict. Ed's now living with his sister when De Niro comes back into his life, just to be pals 'n all, but then develops a crush on Ed's sister. Ed doesn't want him around mainly because De Niro's presence digs up all these God-awful memories. Anyway, potent stuff. Ed followed that up right away with The Abyss, which James Cameron directed just before T2. The Abyss also made a great impression on me, both in terms of Ed's performance as well as the whole world Mr. Cameron conjured.

Ever since then it's been impossible to go a year without seeing Ed in something or other. And he does it all: Comedies, dramas, action, you name it. I thought he was awesome, for instance, as the bad guy general in The Rock. He was one of those bad guys you could sort of sympathize with. He was also awesome in stuff like Apollo 13, Nixon, The Truman Show. And shit, talk about diverse: Right after wrapping Pollock, dude goes and plays a freakin' Nazi sniper in Enemy at the Gates.

Before I get to all the oodles of info from the Q&A, let me give you the gist of the story sans spoilers. It's New Mexico, 1882. Ed and Viggo have been working together for a "dozen years" now as basically lawmen for hire. They're sort of like mercenaries in that they need to earn a living with their gun skills, but they only hire themselves out to enforce the law. They're honorable freelancers as opposed to blood-thirsty money-hungry whack jobs. Which is convenient, since there's already a four-alarm whack job in the area. Chap's name is Bragg, Randall Bragg, played by the always wonderfully slimy Jeremy Irons. He's basically this super rich rancher who doesn't officially own the town of Appaloosa, but he may as well 'cause the town officials are too chicken shit to do much about him. When the movie starts, right? A few deputies show up at Bragg's ranch to tell him what's what. Bragg's got all these ruffians standing around, looking like tough mothers, but he doesn't need 'em for this occasion. He draws and blows away all the deputies before anyone has any idea what's going on.

In their desperation, the town leaders hire the help of these two wandering kats named Virgil Cole (our man Ed) and the laconic and loyal Everett Hitch (Viggo). By the way, let me take a sec to give a shout-out to the underrated Timothy Spall. A Londoner in real life, here he puts on a flawless Southwest American accent as Phil, one of the jittery town officials desperate for help. If you don't know who Tim is or what he's been in, I'm sure he'll look at least somewhat familiar. For one thing, he's a regular in the Harry Potter films as Peter Pettigrew (or Wormtail if you're a Death Eater). For another, he's practically a regular in those little English films by Mike Leigh that, at least sometimes, tend to make a splash in American art houses. Examples include All or Nothing, Topsy-Turvy, and Secrets and Lies. And ya know, he was also in stuff like Sweeney Todd, Enchanted, Lemony Snicket, you name it. In most of these he's a supporting character. He'll do a perfectly competent job that you may not remember when you leave the theater, but you'll recognize him, at least vaguely, the next time you see him. As you can tell from that sampling of his oeuvre, you'll probably see him again soon. The work horse never stops.

Okay back to the story. So Virgil and Hitch show up, take Phil's cash, and agree to restore some law and order in Appaloosa. Meantime, this widow named Allison shows up in town to start her new life. Immediately Hitch is smitten. But so is Virgil. Hitch's almost dog-like loyalty makes him suppress his own feelings for the sake of his boss's. Don't feel bad for Hitch, though. Luckily there's this other gal in town named Katie with whom he eventually strikes up a relationship. Virgil and Allison, meanwhile, progress so far so fast with their courtship that in no time they're building a new house for themselves just outside of town. If you think it's kind of weird that Allison might let herself get swept up so quickly, that's because it is. You'll see what her deal is in a sec.

It doesn't take long at all to get Bragg. It's not like no one knows where he lives. While they're escorting him back to town, though, he breaks loose, kidnaps Allison, and gets away. What makes it extra complicated is that Allison's feelings for Virgil were only those of an opportunist. Within about five seconds of becoming Bragg's prisoner, she becomes his lover. Now that he's running the show again, and he's the wealthiest dude around for miles, it's a no-brainer. If you think that disgusts Virgil, think again. That's one of several things that makes Appaloosa not your typical Western. It's kind of a touching subplot that in spite of Allison's blatant disregard for anyone else's feelings, Virgil is convinced that if he can get her to swing back to his side, then at some point in the future she'll actually develop feelings for him that are as true as his are for her.

Okay that's all I'll spill about the plot. To kick off the Q&A, Ed Harris explained that part of what made him want to direct again was how long it had been since he made Pollock. Apparently it took him eight long years to get Pollock to the screen. Once it was done, the next eight years went by in a flash. As for why he chose Appaloosa, part of it had to do with what I mentioned above about it being an atypical kind of Western. He read the novel when it came out in '05 during a family vacation. When he got back home, he gave it to his pal Robert Knott to see if he'd be interested in adapting it. Through his agent he found out that the movie rights were available and didn't waste a minute snapping them up.

The novel, by the way, was written by none other than Robert B. Parker. 'Member that TV show in the eighties called Spenser: For Hire with Robert Urich? That was inspired by a bunch of novels Parker wrote about this Boston PI named, simply, Spenser (to this day he's never given up what Spenser's first name is). Parker's in his seventies now and is still churning them out. This year alone he's got the thirty-sixth Spenser novel as well as the sequel to Appaloosa, called Resolution. He also has a couple other ongoing detective series. There's this one character called Jesse Stone. A few of those have been made into TV movies with Tom Selleck. Then he's got a female detective called Sunny Randall. Funny story there is, he created that series about ten years ago at the suggestion of Helen Hunt. This was when she'd just won her Oscar for As Good As It Gets and I suppose had enough clout for Parker to listen to her. So he wrote this novel in '99 called Family Honor with this new female sleuth called Sunny Randall. One of the movie studios snapped it up, Helen Hunt got all set to play her....and then nothing happened. Development hell lived up to its name yet again. Luckily, though, the novel did well enough that Parker's publisher told him to keep it up. He's churned out six Sunny novels so far, I believe. And apparently in 2009 he's going to write the third novel with Virgil and Hitch. The man's a machine! He also must be a dream for Hollywood to work with 'cause Ed said he got the rights to Appaloosa without paying a dime.

As for how they went about writing the screenplay, Ed first left it up to Robert Knott. That's when Robert explained to us that the first thing he did was a scene-for-scene adaptation. He actually wrote the screenplay with one hundred percent of the novel in it. Considering the fact that the vast majority of novels lose a good 80-90% of their content during the transition from page to screen, that's pretty freakin' amazing. Unfortunately, a good chunk of this novel would have to go too. The thing's over three hundred pages. You have to remember that with screenplays, one page is equal to a minute of movie time. So if Mr. Knott actually did a scene for scene adaptation, that sucker must've been huge. A three-hundred-page script would be a five-hour movie! As it was, Appaloosa clocked in at an hour and fifty minutes, which would be a hundred-ten-page script, give or take. It was after he finished that huge first draft that Ed came into the equation and they worked in the same room and decided which scenes were absolutely essential.

While part of the film was shot in Texas, they actually did get to shoot a bunch of it in New Mexico. It was on this humongous ranch that was, like, five thousand acres or something. They built the town of Appaloosa on this ranch, 'bout forty-five minutes or so outside Santa Fe. I thought the scenery was gorgeous. I have no clue which scenes were Texan and which were New Mexican. It all looked postcard perfect to me. Ed, however, had his gripes. Because he was in front of the camera so much, he didn't get a chance to see how a lot of the shots turned out until after principal photography was over. He wasn't specific, but he said often he'd see these shots and be like, "That's not how I wanted it done at all!" I dunno. He's a perfectionist, and that's fine. I just don't think he should beat himself up about it. I think you'll agree if you see this. And besides, he was able to get one of the best cinematographers working today, this Australian guy named Dean Semler. Dean scored an Oscar about twenty years ago for photographing Dances with Wolves. Talk about awesome, he got his start Down Under doing stuff like the Mad Max flicks. He did the second and third ones specifically. More recently he worked with Mad Mel on Apocalypto. So ya know, dude's been around.

Ed also talked about some of the actors he got to work with. He couldn't say enough about Viggo. Apparently they struck up quite the friendship while playing enemies in A History of Violence a few years ago. In fact, when they all went to Toronto to promote A History of Violence in September of '05, Ed brought a copy of Appaloosa for Viggo to read and asked Viggo then and there if he'd play Hitch. Viggo agreed, but he'd already committed himself to a bunch of other stuff, which is the main reason why it took three years to get this thing done. One of Viggo's commitments, by the way, was David Cronenberg's follow-up to A History, Eastern Promises. It was also thanks to Viggo that Ed found the actress who plays Hitch's love interest, Katie. She's this gal from Barcelona named Ariadna Gil. Just before Eastern Promises, Viggo made this Spanish movie with her called Alatriste. It's about this real-life historical figure from 1600s Spain named Captain Diego Alatriste, who went from soldier to mercenary during Spain's Imperial Wars. The film was adapted from a bunch of historical novels written by this guy called Arturo Pérez-Reverte. Ariadna Gil played his love interest in that as well. Ed actually auditioned a ton of actresses in New York before he came across this gal. She sent him a videotaped audition from Barcelona. Included with the package were some production stills from Alatriste that showed her and Viggo hanging out on the set. Looking at those photos, Ed could see how much chemistry the two had. More than the taped audition, those photos convinced him he'd found his Katie.

As for Timothy Spall, he and Ed worked together on this one flick about twenty years ago called To Kill a Priest. It didn't get much play at the time. Ed said he thinks it was shown in this one theater in Chicago. It hasn't even been given the DVD treatment, so it must've really bombed. It's basically about a priest in Poland who speaks up against the Communist regime and then is, ya know, killed. Anyway, Ed had fond memories of working with Tim and has been sort of following his career since then. Like me, Ed thinks Tim's one of those underappreciated actors who consistently turns in an above-par performance. He was especially blown away by The Last Hangman, this flick Tim did a few years ago where he plays Albert Pierrepoint. Albert was this guy in Britain who worked as a grocery clerk but also worked as a hangman. The movie covers his life from the early thirties to the fifties. It's a real tour de force for Tim. Yes, it is on DVD, and yes, you should throw it on your queue post haste.

He also talked about how cool it was to work with Lance Henriksen again. I myself hadn't seen Lance in years. I think the last time was about eight years or so ago when he did that Chris Carter show Millennium. Since then he's been doing a lot of schlock, including a sequel to Pumpkinhead of all freakin' things. As with Tim, Ed hadn't worked with Lance since the eighties. In this case, we're talking The Right Stuff in '83. They've run into each other now and then. Before Appaloosa, he hadn't seen Lance in a good ten years or so. Ed cast him without even meeting him. He didn't see him until the shooting actually started. Ed was floored at how "different" Lance looked compared with ten years earlier. He sort of danced around what he meant by different, but I think he meant older. Lance is pushing seventy after all.

As for Jeremy Irons, Ed said he was pretty cool to work with. For the most part. Sometimes, though, Jeremy would go up to Ed between takes and complain that he felt like Ed was staying in character when directing. 'Other words, Ed was still being Virgil Cole even when he was giving orders to the actors and so on. Ed was baffled by that. He still has no idea what Jeremy was talking about. It could be because the way you see Ed Harris on the screen, the way he talks and all that, is pretty much how he is in person. I mean yeah, he's playing a character, but he's still Ed Harris. Maybe Jeremy was just overthinking things. And besides, I think being directed by Virgil Cole sounds kinda cool.

Someone in the audience asked him why he didn't cast his wife, actress Amy Madigan, as Allison. Ed sort of gave a padded answer to the effect of Amy being a bit too old. I know that sounds harsh, but Hollywood tends to be harsh to actresses as they age. Amy's a terrific actress if you've never seen her. I still remember her as Kevin Costner's wife in Field of Dreams, even though I haven't seen that flick in years. She'd also be more believable than Renee as a widow. I understand Hollywood's a business, though, and Renee Zellwegger does come with a built-in audience. Because of that, though, it's kind of ironic that the movie's glaring weakness is Renee as Allison. Yeah, I know she can act, but this just wasn't the right part for her at all. It seemed obvious to me, but I wonder if Ed was sort of arm-twisted by the studio as part of the deal for this getting distribution. Or not. Maybe Ed really couldn't see how obviously wrong Renee was for the part. I mean shit, now that I think about it, Amy Madigan would've been terrific as the widow.

This led to someone else asking Ed about his penchant for directing women in meaty roles. Recall that Pollock did wonders for Marcia Gay Harden. And here you had Renee Zellwegger in a decent role that would've been so much better if he'd cast someone more appropriate for it. For his part, Ed says he loves directing women. It's just easier for him. Ideally he'd like to direct a movie with an all-female cast. 'Only problem is, he hasn't a clue what the story would be.

The last member of the cast he talked about was the most personal to Ed: His dad! Bob Harris, in all his octogenarian glory, appears as a judge in one scene. He had a small role in Pollock too. Ed's kinda jealous of Dad 'cause he's got a full head o' hair. Anyway, he had nothing but nice things to say about him, of course. Dude's pretty sprightly for being in his eighties, I have to say. And he's pretty easy to direct because he typically gets his lines right the first time around.

Making an in-person appearance was Rex Linn, who plays the sheriff. I don't watch CSI: Miami, but apparently he's a regular on that. He was sitting in the same row as me the whole time and could've been anyone. He was there with friends or whoever, dressed casually in a T-shirt and shorts. At one point Ed was like, "Where's Rex?" And then Rex got up and walked up front and talked for a couple minutes. He didn't say much besides pointing out that Appaloosa's one of the best Westerns ever made and he had a great time making it and boy, what a great director Ed was. And he should know, at least about Westerns. The man's done a ton of them over the past twenty years.

Before calling it a night, Ed implored us all to vote NO on Proposition 4. If you don't live in California, you won't know what that means. The gist of Prop 4 is that it would force teenage girls to get permission from their parents to get an abortion. So even if young Julie's dad's a real prick and beats the shit out of her, she'd have to get his permission to get an abortion. It's been voted down three times before and is coming up for a vote this November. Ed and especially his wife Amy are very outspoken against it. Amy wasn't there tonight, but apparently she told him to pass along the suggestion that we all vote NO on 4. Fine with me.

I've been following Ed's career for about twenty years and never knew until tonight that he was from Jersey, which is where I grew up. It makes perfect sense, though. He just has that Jersey attitude of no bullshit, no pretense, being salt of the earth, and just rolling with the punches. The moderator told him that the New York Times, which just published their review of Appaloosa today, called it a sex comedy. At first Ed was kind of floored by this and said that this is exactly why he never ever reads reviews. But then after the moderator expanded on that, Ed finally was like, and this isn't a direct quote, "Well fuck it. If they want to call it a sex comedy, then it can be a sex comedy."